As readers, we like to see our main character progress in some way. She or he doesn’t need to save the world, make a grand marriage with a duke or make a groundbreaking journey into space. But their story does need a resolution. It could be acceptance, it could be a move somewhere else, it could be a different career.
But we like them to develop personally and to be in a different place from the beginning of their story. After all, most of us like to think we’ve matured on our life journey.
The Roma Nova heroines tend to travel a great deal, but that’s merely trains, planes and automobiles as the film title goes. Or horse, wagon and litter in the 4th century stories. But it’s the inner journey, the self-learning that appeal the most. As a writer of thrillers, I enjoy giving my main characters a jolt or two personally along with plenty of conflict that naturally belongs to a thriller story.
Into the detail…
Taking Carina, who starts as Karen (before that name took on a negative aspect on social media. I’m glad now she had a name change. 🙂 ) In INCEPTIO, she’s neither happy nor unhappy. She’s learnt to harden up after the death of her parents and being farmed out to unsympathetic cousins until she was eighteen when she left. But under that shell, she’s not very confident and has medium expectations of life.

Suddenly being parachuted into danger, a new very strange life dents her confidence and increases her need to please and be accepted. She does have flashes of toughness and decisiveness, but that part of her nature was mostly hidden until a pivotal moment in her story. At the end of the book when the story is resolved, she’s developed into a person who feel much more “comfortable in her skin”.
In CARINA, she’s much more confident of her abilities, but she has to learn a hard lesson that despite the ethics of that society, even in Roma Nova corruption and greed are present as everywhere else.
In PERFIDITAS, she faces personal, professional and political dilemmas and has to take a course of action she find immensely conflictual. Only her sense of duty gets her through it, although she has to accept a high personal cost.

In SUCCESSIO, she’s that bit older with a growing family of teenage children. Family tragedies of different kinds impact her career as well as personal life and she must decide what her priorities are at this stage of her life. She will be changed irrevocably.
Aurelia in the late 1960s to early 1980s has quite different issues. In AURELIA, she a very effective Praetorian soldier but has to face a rupture with that beloved career when a tragedy strikes. She’s not adept in social situations – she takes things too seriously. Her weakness is a fear of her nemesis, a man who has threatened her since they were children. I did give her a break from him in NEXUS, which is more of a crime thriller, but here she learns the value of friendship as a giver as well as a receiver.
 Aurelia and Caius – lifelong enemies(?)
In INSURRECTIO and RETALIO, she will do anything to save her daughter but also her beloved Roma Nova, at the cost of her own freedom and life. She has to overcome suspicion and prejudice and learn to be patient as well as use her skills and courage. RETALIO starts with her physically and emotionally weakened, and ends with personal triumph but a devastating personal loss. She has to ‘gather up her grit’ as her granddaughter Carina will say in the future and do her duty. But it hurts…
Julia Bacausa in the 4th century begins her story in JULIA PRIMA outwardly as princess with every privilege, but internally a complete mess. After a legal divorce that her ex-husband refuses to recognise, she has taken it to heart as a terrible failure and has little self-respect or faith in herself as a woman. But she must make a momentous emotional decision from which there is no return. Her journey is that despite her strong will and warm heart, she has to learn how to cope with hardship and prejudice without losing her background culture if she wants to attain her goal.

Her daughter, Galla, is more measured in EXSILIUM. She changes from a compliant Roman daughter and wife into somebody with inner strength and outward decisiveness that often scares her herself. But it’s not the easiest path. Her sister Lucilla is much like their mother, Julia, but surprises her family in the end.
In brief…
As with people In Real Life, characters in stories can’t be perfect. They can be intelligent and competent, but like 98% of the human race, they have inner fears, weaknesses and doubts. The key to the Roma Nova characters is that they must learn through experience, whether heartbreaking, affirming or joyous. Duty is a strong thread woven through all the Roma Nova stories, but those carrying it out are, after all, merely human.
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA, Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, is now out.
Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.
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Republished June 2024
All countries go through unhappy periods – change, uncertainty, economic instability – which often provoke fear of ‘the other’ and of the unknown. People question their government, values, their purpose and place in life. They become sensitised to the negative and ignore the positive things they forget they have.
Roma Nova in the early 1980s was in such a state of flux.
At the beginning of INSURRECTIO, thirteen years have passed since the story of AURELIA and seven since NEXUS. Our heroine, now the senior imperial councillor, has climbed the career ladder to assistant foreign minister. Roma Nova’s government has a mix of traditional Roman elements such as a senate, an imperatrix – the ruler – and her imperial secretaries running the administration, and an imperial council of ministers heading specific departments and giving advice much like a standard Western cabinet.
But there are significant problems eating away at Roma Nova’s core, not least a lack of faith in the government and economic hardship. Sound familiar?
In the background, a significant proportion of the administration and law enforcement bodies at local and central level are inflexible, hide-bound and not fit for a time of change. Interest groups with their own agendas pull against each other and people are more interested in their own concerns than the welfare of the state. Added to that, Roma Nova has a weak and capricious ruler, Severina, who is frightened of ruling. Despite the best efforts of councillors like Aurelia, Severina is often swayed by the advice of the nearest strong personality, ignoring that personality’s true motives.
 First meeting of the cabinet Scheidemann, 13 February 1919 at Weimar
This unfortunate combination of factors is the setting for INSURRECTIO, but there was a parallel level of uncertainty in Germany in our real time line in the 1920s and early 1930s which I’ve drawn on for writing INSURRECTIO.
Set up to govern Germany after the First World War, the Weimar Republic began with the best of intentions. It had an elected parliament (Reichstag) and president, universal suffrage for men and women over twenty and introduced universal education and health insurance.
Despite a remarkable cultural renaissance in Germany in the 1920s, the political system faced old-fashioned fixed mindsets straight out of German history, underdeveloped institutions, unemployment and later economic collapse. The German population was smarting under the draconian conditions of the Treaty of Versailles after the First World War and resentful of the old imperial regime that had failed them by losing the war and bringing them to ruin. And the democratic tradition in all the German states was weak, if it had existed at all before 1914.
But Weimar had two inbuilt fatal flaws:
- full proportional representation – instead of voting for an MP, Weimar Germans voted for a party. Each party was then allocated seats in the Reichstag exactly proportional to the number of people who had voted for it. This was admirable in theory but disastrous in practice. Dozens of tiny parties of all political shades with their own often narrow agendas flourished with no party strong enough to form a majority and thus an effective government. Few of the constantly shifting coalitions and alliances succeeded in getting their legislative programme through in the Reichstag.
- Article 48 which provided that in an emergency the president did not need the agreement of the Reichstag, but could issue and govern by decree with the force of law. Unfortunately, this provision did not define the emergency circumstances it was design to address. In the end, it turned out to be a back door that Hitler used to take power fully legally.
 Nazi Party (NSDAP) leader Adolf Hitler saluting members of the Sturmabteilung in Brunswick, Lower Saxony, 1932.
The backgrounds in the fictitious Roma Nova and 1930s Weimar Germany are different, but the ground is equally slippery under both. Weimar was caught between idealism, hide-bound and self-interested mindsets, economic and political instability.
Roma Nova was weakened at a point of change, caught between historical traditions with archaic systems and a world modernising where work, life and personal circumstances were changing. Couple with autocratic but ineffective leadership, this was an open door to a political vacuum.
Stepping into such uncertainty, a charismatic leader supported by an organised and uniformed popular power base and reinforcing nationalist values, strength, and quasi-historical nostalgia and who convinces his followers he can right perceived wrongs, guarantee jobs and respect and ensure stability, is perfectly poised to seize power… And we should always remember that unlike Caius Telles who seized authoritative power in a coup d’état, Adolf Hitler was voted into power via a democratic process.
Updated for 2024: This is the year of elections, but also the year of threat of extremism. Our hopes are that we will not be tempted to fall for the charismatic and ideological extremes. Quiet and boring is almost always the better way.

Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA, Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, is now out.
Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.
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An updated post
Several years ago now, I posted on my writing blog about my OU studies in history and how I turned my MA dissertation into a self-published book: Military or Civilians?The curious anomaly of the German Women’s Auxiliary Services during the Second World War. This was my first venture into self-publishing when you had to send in files in HTML. (Don’t ask!)
The experience of women serving in a uniformed service in wartime fascinates us. We’ve probably all read many personal stories of women joining the ATS, the WRNS, the WRAF, the Air Transport Auxiliary, the SOE/FANY, and of women serving in ambulance, ARP and fire services in Britain during the Second World War. And women joined similar organisations across all the Allied nations.
And that’s it. As English speakers and, let’s face it, the ‘winners’, we’ve been very proud of the contributions our mothers, aunts and grandmothers made to the effort in the Second World War. On 6 June 2024, eighty years after D-Day in 1944, the French President Macron awarded the Légion d’Honneur to Christian Lamb, a WRNS officer who worked in Churchill’s Cabinet War Rooms.
But what about the young women who also served in the 1939-45 conflict, but on the Axis side? Their story is rarely told.
In Military or Civilians? I wanted to mirror that experience for similar young women in Germany. It had to go beyond Helga in the comedy TV series ‘Allo, Allo! or the brutal concentration camp guards.
A half million German young women ended up working with the Wehrmacht (army), Luftwaffe (air force) or Kriegsmarine (navy). A proportion of them had been in National Socialist (Nazi) youth organisations in the 1930s, so took not only to the uniform but the discipline and sense of political community without a second thought. But most were ordinary young women with varying degrees of patriotism who joined up for different reasons, some naive, some wanting travel and adventure, some just to get away from parents or dead end jobs.
 Flakwaffenhelferinnen (Luftwaffe Auxiliaries)
One aspect of my study explores how the young women adapted, or not, and their varying attitudes to and feelings about their roles.
It was an alien, masculine-oriented world to most. Girls had been educated to take a subordinate domestic role since 1933. Men were the leaders, the fighters, the patresfamilas. Women were recommended to confine their social role to Kinder, Küche, Kirche (children, kitchen, church).
But the German services found that with conquest, manpower was stretched and women took on many roles to free men for the front: driver, secretary, signals operator, flight controller, aircraft spotter, navy administrator and so on.
Later in the war, young women were conscripted to meet a desperate shortage of manpower; they had no option to refuse under a totalitarian regime. Nazi ideology gave way to necessity, particularly in the last year of the war when these women became indispensable to the German war effort. But throughout, the status of these female armed forces’ auxiliaries remained questionable.
Why did I decide to write my dissertation on this subject?
Well, I’d spent six years in the Territorial Army (reserve armed forces) leaving as a (pregnant) captain. Training in the same way as regular soldiers with the same equipment and with a specific objective in time of war, it was disciplined and demanding, especially following the officer role.
But it gave me a sense of purpose, of comradeship and doing something worthwhile. The experiences were unparalleled, if sometimes nerve-racking!
 I’m the one on the right.
Any uniformed service that takes its members into harm’s way usually has a preponderance of testosterone fuelled attitude. This seems a strange environment for women, but if an individual carries out his or her role to expectations, gender becomes irrelevant. My unit was a mixed one; we just worked together to achieve our objectives.
So, with military services’ experience in my backpack, a curiosity about an unknown area of women’s history and a good working knowledge of German, looking at the female German experience in wartime forces seemed a logical choice for my dissertation. And very few academics had done much study in the English language when I set out on my research trail.
After three years, I received a distinction 🙂 plus some very kind remarks from my tutor and the second assessor. More than that, I had deepened and widened my research and writing skills.
But how is Military or civilians? relevant to Roma Nova?
Well, I think you can see where this is going now…
My heroines serve or have served in the Roma Novan military. Ancient Roman society was a militarised one; the primary function of taxes and other state revenue was to sustain the military machine. All Roman citizens were required to serve at some stage, especially during the Republican period especially if they wished to advance up the career ladder, the cursus honorum. (This enthusiasm, and requirement, to participate changed considerably over time, but that’s another story!)
 Carina Mitela
The imaginary Roma Nova has struggled for survival though the centuries by mobilising both women and men to defend their values and preserve their way of life. So as senior members of their society my heroines, Carina and Aurelia, wear their uniform naturally.
I wanted to write a society which was Roman and so military by nature and need, yet egalitarian.
As seen in Military or Civilians? when push comes to shove, and you need personnel on the front, gender is irrelevant.
But the added benefit of studying the Third Reich and women’s lives during that period is that I could draw heavily on the research for INSURRECTIO, the seventh Roma Nova book.
Here, the small state is threatened internally by a Roman nationalist movement led by a charismatic leader who wants to take power and remove women from all but subordinate roles in life (as per Nazi ideology). His objective is to bring in a severe male-dominated regime ‘to restore traditional Roman values’. You may well shiver in horror. Whether former Praetorian Aurelia could stop him and his political movement was an entirely other question.
Updated 2024: Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA, Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, is now out.
Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.
If you enjoyed this post, do share it with your friends!Like this:Like Loading...
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