Taking the plunge - Roman baths

The Baths at Caracalla, Lawrence Alma-Tadema, 1899

Baths were such an intrinsic part of the Roman world that we can’t think of one without the other. Everybody went to the baths – everybody.

Today we see bathing as something we do privately in the home, but bathing in Rome was a communal, social activity. While wealthy Romans could afford to build bathing facilities in their homes or country villas, and bathhouses were provided for Roman legionaries at their forts throughout the empire, most people went to the communal baths which in some ways, resembled modern-day spas.

A catalogue of buildings in Rome from 354 AD documented 952 baths of varying sizes in the city alone (Boëthius, Axel; Ward-Perkins, J. B. (1970). Etruscan and Roman architecture). Large baths called thermae were owned by the state and often covered several city blocks;  the Baths of Diocletian could hold up to 3,000 bathers.

Generally open from lunchtime until dusk, baths were accessible to all, both rich and poor. In the reign of Diocletian, for example, the entrance fee was a mere two denarii. On occasions such as public holidays, the public baths were even free to enter. Small bathhouses, called balnea, often privately owned, but open to all for a fee.

Public baths were a feature of ancient Greek towns but were usually limited to a series of hip-baths. Characteristically, the Romans took the idea and scaled it up to an art form. Baths became common in even the smaller towns of the Roman world – part of the process for ‘civilising the barbarians’ – and were often located centrally near the forum. However, in the large cities these complexes took on monumental proportions, literally, with vast colonnades, wide-spanning arches and domes, millions of fireproof terracotta bricks, fine mosaic floors, marble-covered walls, and decorative statues.

Baths of Caracalla, Rome today (Author photo)

Because wealthy Romans brought slaves to attend to their bathing needs, the bathhouse usually had three entrances: one for men, one for women, and one for slaves; the women’s area was usually smaller than the men’s because of fewer numbers of patrons. (Hm, same old excuse) Republican bathhouses often had separate bathing facilities for women and men, but by the 1st century AD mixed bathing was common and is a practice frequently referred to in Martial and Juvenal, as well as in Pliny and Quintilian. However, gender separation might have been restored by Emperor Hadrian (Women In Roman Baths, Roy Bowen Ward) but there is also evidence it wasn’t. The jury is out. For many Roman moralists, baths were the perfect sign of how far the Rome of their own day had fallen into decline; Cato the Elder publicly attacked Scipio Africanus for his frequent use of bathhouses.

Model reconstruction of Londinium baths, Museum of London (Author photo)

What’s in a Roman bath?

They varied from simple to exceedingly elaborate structures, and by size, arrangement and decoration.Typical features were:

  • apodyterium – changing rooms.
  • palaestrae – exercise rooms.
  • natatio – open-air swimming pool.
  • laconica and sudatoria – superheated dry and wet sweating-rooms.
  • calidarium – hot room, heated and with a hot-water pool and a separate basin on a stand (labrum)
  • tepidarium – warm room, indirectly heated and with a tepid pool.
  • frigidarium – cool room, unheated and with a cold-water basin, often monumental in size and domed, it was the heart of the baths complex.
  • rooms for massage and other health treatments.

Additional facilities could include gymnasium, private baths, toilets, libraries, lecture halls, fountains, and outdoor gardens, not to mention food and perfume-selling booths, libraries, and reading rooms. Stages accommodated theatrical and musical performances. Plus, there was plenty of scope for “personal services”, paid, voluntary or provided as an inclusive service by private bathhouse owners.

Roman bathhouses often contained a courtyard, or palaestra, an open-air garden used for exercise. Adjacent stadia provided spaces for (serious) exercise and athletic competitions.

Reconstructed floor plan: 1=Caldarium 2=Tepidarium 3=Frigidarium 4=Natatio 5=Palaestra 6=main entrance 7=Exedra (seating area)

The bathing process

From the changing rooms, bathers would go to the gymnasium and exercise in the palaestra and from there to a sauna to induce an even greater sweat. Then the bather passed to the caldarium, after which the skin was scraped clean with a strigil, and to the tepidarium to cool off in the warm air and, finally, to the frigidarium for a bracing plunge in a cold bath – which was the regimen recommended by Galen himself. You could admire the sculpture, swim in the natatio, read at the libraries, walk the grounds, or as Trimalchio does in the Satyricon, be carried off in a litter to a dinner party.

The big heat
Early baths – a bit ramshackle in the very earliest of days – were heated using braziers, but from the 1st century BCE more sophisticated heating systems were used such as underfloor (hypocaustum) heating fuelled by wood-burning furnaces (prafurniae). Greek baths had employed such a system but, typical of the Romans, they took an idea and improved upon it for maximum efficiency. Huge fires from the furnaces sent warm air under the raised floor (suspensurae) which stood on narrow pillars (pilae) of solid stone, hollow cylinders, or polygonal or circular bricks. The floors were paved over with square tiles (bipedales) then covered in decorative mosaics.(Pity the poor slaves sweating away keeping the fires burning…)

Hypocaustum, Bath, UK (Author photo)

Water (indispensable!)

The vast amount of water needed for the larger baths was supplied by purpose built aqueducts and regulated by huge reservoirs in the bath complex. The Baths of Diocletian reservoir in Rome, for example, could hold 20,000 m³ of water. Water was heated in large lead boilers fitted over the furnaces and could be added (via lead pipes) to the heated pools using a bronze half-cylinder connected to the boilers. Once released into the pool the hot water circulated by convection.

Natatio (swimming pool), Roman barracks, Isca (Caerleon) (Author photo)

But were the baths completely good for you?

There’s not mistaking that Romans enjoyed their baths.

But…

Not even considering the large amount of lead involved in heating and pipework, we should bear in mind that the water was not always renewed as often as we might like it to be in the 21st century; remains of oil, sweat, dirt or even excrement were kept warm, providing a fabulous breeding ground for bacteria. Emperor Marcus Aurelius complained about the dirtiness. (Meditations, 8.24). Celsus, who wrote one of the best sources concerning medical knowledge in the Roman world, while commending bathing’s therapeutic virtues, warns not to go to the baths with a fresh wound, because of the risk of gangrene.The objections of the philosopher Seneca were more about the associated noise that interrupted his work when he lived above a bath (Epistulae morales ad Lucilium 56.1, 2).

However, I would think that like modern consumers, Romans would not have returned to the baths daily if those baths were that distasteful. Given the wide variety and sheer numbers of thermae and balnae available to them, they could always have taken their denarii elsewhere.

Tepidarium, forum baths, Pompeii (author photo)

An extra note in reply to a couple of comments here and social media about slaves using the baths…
(You do keep me working…;-) )

Epigraphic testimony for slaves at baths as customers is direct if sparse so it’s not always easy to work out determine how common and widespread the practice was.“(G. Fagan, ‘Interpreting the Evidence: Did Slaves Bathe at the Baths?,’ in D. E. Johnston and J. DeLaine (eds.), (1992))

The consensus among academics is that slaves could use public baths as customers rather than just attendants. For example, this from a blog from the University of Kent (https://blogs.kent.ac.uk/lucius-romans/2016/03/15/visiting-the-baths-in-ancient-rome/“The rich, who had no time constraints, could choose to bathe at the optimum time and therefore temperature, but labourers or slaves — who were not in control of their time — had to settle for a tepid bathing experience once their work was done.”

For primary sources, Fagan cites an inscription from Puteoli which prohibits the slaves who removed corpses in the town from using the baths before the first hour of night… (Garrett G. Fagan, ‘Bathing in Public in the Roman World’ (2002))

In the same book, Fagan also cites the lex Metalli Vipascensis which stipulates that “slaves and freedmen who were in the employ of the procurator in charge of the mine or who enjoyed other privileges could use the baths free of charge….the wording can be read to imply that slaves not in the employ of the imperial service would be charged, which in turn implies that slaves of any kind…had access to the baths as customers.” Also, an inscription in Coela, Thrace “…records the building of baths for ‘the people and the familia of our Caesar,’ that is, for the local inhabitants and the emperor’s slaves who served his estates in the region.”

Less reliable but probably worth mentioning is some literary evidence from works of fiction. For example, the anonymous Latin comedy Querolus: “Even if we are tempted to go by day, it is at night that we go to the baths. We bathe with the slave-girls and boys.” (Kyle Harper, ‘Slavery in the Late Roman World, AD 275–425’ (2011))

Another literary work, the Roman novel The Golden Ass or The Metamorphoses of Apuleius has characters who use the baths: two cooks who bathe every evening.

Anybody know any other sources?

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Surprise and pleasure at a woman leading the action?

Recently, I attended a fair near where I live in southwest France. I chatted with local English friends, met real ones who had only been Facebook friends until then and made new ones. I had a fascinating discussion about Romans in France with a French philosophy teacher who also talked about the different English and French approaches to history. The hilarious thing was that he’d caught me with half a mince pie in my mouth. I was humbled when French mothers and grandmothers said they were buying a real English book signed by the author for their family members; I always feel so responsible.

Regulars who had bought a Roma Nova book each year knew how it all worked, and we were soon into discussing the exact nature of Aurelia’s relationship with Caius, Carina still feeling a stranger sometimes in Roma Nova and wondered together where Allegra was going with her life. And, of course, how those three generations (and the ghost of Marina) interconnected throughout the (two) series.

New readers were intrigued by the idea of a remnant of the Roman Empire surviving. Women mostly looked surprised and then delighted when I explained that the gender balance was tipped in favour of women; the men were slightly sceptical but interested at the idea of a 21st century Rome, then thoughtful. I’m used to these reactions so I’m ready with the answers. 😉

Then I started thinking about it…

Why is it automatically assumed that in a thriller/adventure story that the woman is usually the assistant, subordinate, girlfriend or sidekick? These days, she’s often the scientist, historian, forensic expert, or even the boss of the team, but rarely the chief mover and shaker of the action in the story. It’s mostly still James Bond rather than Jamie Bond.

I expect at this stage you might quote me an amphora-load of examples. Women running the show in police and crime fiction and their television versions such Scott & Bailey (Sally Wainwright), Vera (Ann Cleeves) and Rizzoli & Isles (Tess Gerritsen) seems to be increasingly common (Hooray!), and taken as pretty normal in the general reader’s or viewer’s mind. But in the thriller/adventure/spy  genres women in the lead role are still seen as the exception. Remember the enormous controversy when Doctor Who became a woman?

Why? I believe this perception goes quite deep.

In Real Life, surgeons, motor mechanics and firefighters are automatically visualised as men; midwives, childminders and personal assistants/secretaries as women. Female police are everywhere, even on patrol with weapons at, for instance, railway stations, but it would be interesting to know how many lead armed response or tactical units.

Women first became eligible to pilot Royal Air Force combat aircraft in 1989. The following year, they were permitted to serve on Royal Navy warships.The 1991 Gulf War marked the first general deployment of British women in combat operations since 1945.

The seizure of Royal Navy sailor Faye Turney in 2007 by the Iranian Revolutionary Guard led to some media comments on the role of women and mothers  in the armed forces (not as persons in their own right!) which is a perfect illustration of the traditional views still prevailing in today’s society.

In 2016 a ban on women serving in close combat roles was lifted and in 2017 the Royal Air Force’s ground-fighting force became open to women for the first time. In 2018, women became eligible to apply for all roles in the British forces, although it should be noted that specialist units, particularly in the corps like medics and signals and in regiments like the UDR, had deployed women along with men for many years.

None of this equality on paper stops rude comments or sexual harassment. Women are often left out of office activities or squad bondings. sessions down the pub or after work drinks with other managers. This makes it difficult to make a connection with those they are trying to work and communicate with, especially in a team structure. For military and police this can also be very dangerous when they are out in the field since acceptance and trust has not always been built to a high degree.

Of course, it is always a matter of choice. Women are free to pursue their own career, to train for it and practise it without gender hindrance. But of course, they have to accept they must meet the required standards and qualifications without any allowance for their gender. It used to be said that a woman had to be twice as effective in order to be considered ‘as good as the blokes’. I hope that isn’t still true.

Back to fiction where in science fiction, fantasy or alternative time lines where women can be heroes (or sheroes)…

Kylara Vatta from Trading in Danger, Elizabeth Moon Eowyn, Lord of the Rings,  JRR Tolkien Carina Mitela, PERFIDITAS, Alison Morton

I write the Roma Nova books to highlight how things could be; the characters live their lives naturally in their world and there is no room for these inbuilt unequal attitudes; neither men nor women are disadvantaged.

But, of course, it’s fiction. Moreover, it’s speculative fiction.

Until everybody in our own timeline loses stereotypes around what people – real or fictional, men as well as women – can do, we will always cause surprise whether selling fiction at a fair or in Real Life.

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA, a new Roma Nova story set in the late 4th century, is now out.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.

12 Days of Christmas – includes Saturnalia!

Well, I’ve managed to sneak Saturnalia in to two Christmas online book celebrations. It’s when authors have a bit of fun.

First is a video and I’d bet you’ve never seen or heard a ‘Twelve Days of Christmas’ song quite  like this! Well, it’s ‘Twelve Books of Christmas’ if we’re being accurate. Look out for the eighth day… 🙂

Enjoy!

Links and more info about all of the featured books are at the site of Jean Gill, the wonderful organiser : https://jeangill.blogspot.com/2018/11/best-books.html

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.