Choosing book titles is like being prodded by Pluto in the underworld with a red hot trident for eternity. One commenter on social media said: “They sound great, but I can’t help but cringe at the titles. Not quite Latin. I suppose that’s probably the point, but ouch. Intriguing, though.“
I admit, I thought ‘ouch’ back, but also smiled to myself. Perhaps she hadn’t looked them up on one of the excellent online dictionaries such as Perseus (Tufts University), LatDict, Notre Dame University or a good paper Latin dictionary (OLD or Collins).
So when I changed the covers to spiffy new ones, I took the opportunity to go into the gory detail. One major consideration was that the titles had to be understandable to a range of readers, many non-Latin speaking, yet retain a strongly Roman tone. This was not easy!
INCEPTIO
The beginning, for the heroine and for the reader.
(I confess to pronouncing it in-sep-ti-o instead of in-kep-ti-o as Romans would as it would sound very hard on the ear.)
inceptio, inceptionis
noun, 3rd declension, gender: feminine
Definitions: start, beginning, an undertaking, enterprise
Age: In use throughout the ages/unknown
Area: All or none
Geography: All or none
Frequency: For Dictionary, in top 20,000 words
Source: Oxford Latin Dictionary, 1982 (OLD)
CARINA
As it’s all about the character and her own personal adventure, I thought I’d keep it simple.
A feminine derivative of carus, cara.
adjective
Definitions: costly, precious, valued, dear, beloved
Age: In use throughout the ages/unknown
Area: All or none
Geography: All or none
Frequency: Very frequent, in all elementary Latin books, top 1000+ words
Source:“Oxford Latin Dictionary”, 1982 (OLD)
PERFIDITAS
I’ll admit that although based on a good Latin word, PERFIDITAS is partly made up!
perfidia, perfidiae
Noun, 1st declension, gender: feminine
Definitions: faithlessness, treachery, perfidy
Age: In use throughout the ages/unknown
Area: All or none
Geography: All or none
Frequency: For Dictionary, in top 20,000 words
Source: General, unknown or too common to say
The trouble was there was a very popular song called ‘Perfidia‘ written by Mexican Alberto Dominguez and which has been recorded by countless artists. I didn’t want the book to look as if it was about a girl called Perfidia, so I piggy-backed perfidia onto the form used in romanitas (‘Roman-ness’) to change the word but retain the meaning.
SUCCESSIO
It has a double meaning: ‘the next generation’ (as in ‘heirs and successors’) and ‘what happened next’ taking on the idea of successive events.
successio, successionis
Noun, 3rd declension, gender: feminine
Definitions: succession (to position/ownership w/GEN), successors collectively
Age: In use throughout the ages/unknown
Area: Legal, Government, Tax, Financial, Political, Titles
Geography: All or none
Frequency: For Dictionary, in top 10,000 words
Source: Oxford Latin Dictionary, 1982 (OLD)
Lewis & Short dictionary also give a meaning: a good issue, or success that followed (something before it).
AURELIA
Plain and simple – a Latin woman’s name. The most famous Aurelia in Roman history was the well connected Aurelia Cotta, the mother of G Julius Caesar.
The gens Aurelia was a plebeian family of Rome. They served the Republic with distinction and flourished under the Empire. Many later families of citizens enrolled under the authority of emperors or magistrates bearing this nomen took Aurelius as their new citizen name. It became so common that by the latter centuries of the Empire it became difficult to distinguish members of the gens from other people bearing the name.
Still, our Aurelia definitely stands out in her generation…
NEXUS
In Latin, nexus means a binding together, fastening, tying together, joining, interlacing, entwining, clasping, with a hint of imprisonment. Also a bondsman, an obligation between creditor and debtor
In English, nexus means a connection or series of connections linking two or more things, also a central or focal point. Basically nexus was perfect for such a tangled story!
Noun, 4th declension, gender: masculine
Definition: A tying or binding together, a fastening, joining, an interlacing, entwining, clasping.
Age: In use throughout the ages/unknown
Area: All or none
Geography: All or none
Source: Charlton T. Lewis, Charles Short, A Latin Dictionary, Clarendon Press. 1879
INSURRECTIO
This title caused me no little brain-pain! A 10/10 difficulty level. It’s about rebellion, uprising and revolution, but I shied away from ‘rebellio‘ because it sounded like a Latin teenager! INSURRECTIO seemed stronger and harsher. And as with all the Roma Nova titles, it had to be a word understood immediately by non-Latin speakers.
insurrectio, ōnis
Noun, 3rd declension, gender: feminine
Definitions: a rising up, insurrection
Age:In use throughout the ages/unknown
Area:All or none
Geography:All or none
Frequency:For Dictionary, in top 20,000 words
Source: A Latin Dictionary. Founded on Andrews’ edition of Freund’s Latin dictionary. revised, enlarged, and in great part rewritten by. Charlton T. Lewis, Ph.D. and. Charles Short, LL.D. Oxford. Clarendon Press. 1879.
RETALIO
rĕ-tālĭo , āre, verb
Definition: to retaliate
A Latin Dictionary. Founded on Andrews’ edition of Freund’s Latin dictionary. revised, enlarged, and in great part rewritten by. Charlton T. Lewis, Ph.D. and. Charles Short, LL.D. Oxford. Clarendon Press. 1879.
Confession time: RETALIO is a slight cheat as the usual word for retaliation in Latin, talio, doesn’t have the ‘re’ in front of it, but I thought it would make more sense to 21st century readers with the prefix.
talio, onis
Definition: retaliation
Age: In use throughout the ages/unknown
Area: All or none
Geography: All or none
Frequency: 2 or 3 citations
Source: Charles Beard, “Cassell’s Latin Dictionary”, 1892 (CAS)
ROMA NOVA EXTRA
This is a collection of short stories, so ‘extra’ to the main eight stories, but ‘extra’ in Latin means ‘outside’, so they are outside the main storylines. 😉
JULIA PRIMA
Julia is such a familiar name that it almost needs no explanation! Almost… The Roman gens Julia, one of the most ancient patrician families of Ancient Rome, includes notable women such as Julia Augusta (also known as Livia Drusilla), the wife/counsellor of Emperor Augustus, and Julia the Elder, the daughter of Augustus and (unhappy) wife of Tiberius. Of the men in that family, Gaius Julius Caesar is the most (in)famous one.
As a given name, Julia was used throughout Late Antiquity but became rare during the Middle Ages. It was revived only with the Italian Renaissance and became common in the English-speaking world only in the 18th century. Today, it’s frequently used throughout the world. And therein lives the problem…
If you put ‘Julia’ into Amazon under the heading ‘Books’, you get 60,000 responses, so something else was needed. The character, Julia Bacausa, is one of the two founders of the Apulian line that went on to become leaders of Roma Nova, so pinching an idea from Star Trek – Spock Prime – I gave Julia a word that signified this prominence in the Roma Nova story, but in Latin. It also signifies ‘first’ as in first daughter, although that tradition is a bit tenuous by the late 4th century. The results from Amazon for JULIA PRIMA? Sixteen and not one of them the book’s title. 🙂
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA, a new Roma Nova story set in the late 4th century, is now out.
Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.
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“I knew it was one of your books – you have such a strong brand.”
This kind reader tweeted this a year ago and my little heart swelled. The gold futuristic eagle on a dark background had spread its wings everywhere.
Scroll back to 2013. Excited in the run-up to the publication of INCEPTIO, my first book, I was stunned by the cover that SilverWood Books produced. Here was the embodiment of my book: imperial purple, a gold eagle, symbol of Roman power, yet in a thoroughly modern design. Added to that, the ‘proper’ Roman font – Trajan Pro – as seen on inscriptions still visible across Europe. A tingle flowed through my body. (Well, it was exciting!)
And so it has been for the past six years and eight books, each book with a different deep jewel-like cover echoing the contents.

But times change. People change. Habits and wishes change.
When historians write about our age, the one expression to characterise it will be ‘continuous change’. I’ll come clean. My book sales are steady and from the comments by readers, I gather they enjoy them enough to give them hundreds of five stars across the series. But I’d love to discover more readers and introduce Roma Nova to them. So I dived into the murky science of marketing.
What do potential new readers expect when they see my covers? Do they see adventure thrillers featuring strong heroines, a touch of history and mystery, tales of courage, failure, triumph, heartache and resolve? Hm. Perhaps the eagle image, dark colours and Roman script no longer had that elusive ‘pick-up’ element.
Learning point: Emotion and character needed to be brought in.
Did the covers convey action and movement? Certainly, they conveyed strength and purposefulness, but there was no hint of risk, personal danger or taking the initiative. And you can’t say that either of my heroines, Carina or Aurelia, is backward in any of those aspects!
Learning point: Show some dynamism.
People vs. patterns. I rejected a cover with a face in 2013 because I couldn’t see it fitting within the graphic. It would have confused the impact of the eagle. From a six years’ later viewpoint, I still think that was the right decision. Trying to fit everything together is not a good approach, nor is overcrowding a cover. The whole concept needed a complete rethink.
Learning point: Don’t tinker – start again.
Being hard-headed, the job of a book cover is to let readers know what it’s about and whether they might be interested – all within a second or two. If the cover isn’t compelling passers-by (real or virtual) to look further by reading the summary and reviews, they won’t come near to buying.
Researching this was a hard process. Taking the decision to change the whole look of the Roma Nova covers was excruciating. But I had six solid years of experience in the book world: interacting with readers, absorbing reviews, listening to fellow authors, discovering new techniques and trends. I was also expanding the series, firstly by dropping in a novella (CARINA), then a collection of short stories (ROMA NOVA EXTRA) Currently I’m drafting a novella set in the 1970s featuring Aurelia, set between AURELIA and INSURRECTIO, which would further mess up the existing numbering order!
A fresh approach to the whole series was needed. I’ve decided to split the stories into two strands within the Roma Nova series: Carina Mitela adventures and Aurelia Mitela adventures.
Readers have described my books as a cross between Lindsey Davis’ Roman detective Falco and The Hunger Games. They’ve also been likened to Manda Scott and Kate Mosse’s books. Conn Iggledun, Simon Scarrow, Elizabeth Chadwick, Sue Cook and Kate Quinn have said nice things about them. I’d like to think they’d appeal to readers of JD Robb and Robert Harris (or is that hubris?).
Back to the covers…
I commissioned Jessica Bell Design to draw up some concepts for the whole series and chose the one that conveyed the ‘feel’ of Roma Nova best. But then I had to put my own emotional response aside and use my logical brain. Which would most appeal to readers? And address the learning points from my analysis?
I asked Jessica to keep the original background colours: INCEPTIO purple, PERFIDITAS blood red, CARINA in between, SUCCESSIO blue, AURELIA green, INSURRECTIO black and RETALIO amber and to include the signature eagle graphic in the mix.
She was a joy to work with: imaginative, professional and supportive, especially of some of my dafter ideas. But she was also ruthless in a very friendly way when my suggestions were off-piste; she was right every time.
 Left to right: Joanna Penn, Jessica Bell, me, Rebecca Lang at the London Book Fair 2017
Delighted isn’t the right word. Thrilled is a bit nearer. Ecstatic is nearly there. Shocked and overwhelmed in a very positive way is better. Judge for yourselves. I think Roma Nova is about to storm off on some exciting new adventures.
Coming for the ride?
Updated 2021: Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers.
Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.
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Mercury (or Hermes in the Greek pantheon of gods) is said to be the inventor of the written alphabet, god of writing/literature, speech, travellers, treaties and dreams amongst other things but is best known as the gods’ messenger. He’s also is the one invoked by thieves and tricksters…
I invoke him on the subject of themes in a book as it’s difficult to talk about the theme in your own book without sounding pretentious. He’s the messenger with a tricky mission. His dual nature brings me back to earth.
What is a ‘theme’ in a book sense?
A theme gives meaning to the story and is seen through the plot and the character’s journey. It’s the essence of what the story is about. Generally not mentioned as such, it bubbles along like an underground river, giving life to the story, but unconsciously. Whether stories are about space adventures, historical conflicts, shoes and shopping, a road trip or an alternative history thriller they are really about human dilemmas.
I don’t always see the theme when I start writing a book, but often it emerges as I go along. At first, when I was drafting INCEPTIO, I didn’t even consider themes – that was for high literature, I thought. I was writing genre thrillers. But I came to realise that every story had an underlying theme, however simple or complex. Some have several. Now, I have a better idea of the possible themes of the Roma Nova thrillers, but I’m still a little hesitant. Here are my thoughts…
INCEPTIO is a thriller featuring Karen who flees to Roma Nova and finds a lover, a family and a role, but the bad guy pursues her. She toughens up in order to confront him. Plenty of excitement, a love story, history, undercover operations, toughness and a bit of humour. But INCEPTIO is really about a ‘stranger in a strange’ land and female empowerment.
CARINA is a shorter adventure, a mission abroad for a relatively inexperienced Praetorian officer to reinstate herself after a silly stunt. But underneath is the urge to bring the ungodly to justice, whoever they may be, and acceptance of the realities of political life.
PERFIDITAS is a caper story, good guys vs. bad guys, ‘good’ criminals and ‘bad’ law officers, rescues, undercover and off-piste actions and big shocks. But its theme is betrayal – personal, professional and political – and loyalty. Who is the betrayer and who the betrayed?
SUCCESSIO is darker with threats of blackmail, mental breakdown, family betrayals with of course plenty of action and excitement. But its themes are about unresolved problems rooted in childhood and their fallout, and the roles of love and courage
AURELIA investigates silver smugglers in Berlin, then Roma Nova. She is framed for murder, and horrified when her child is threatened. An assassin tries to terminate her, she experiences family sadness and a new love. But AURELIA is really about the conflict of duty and mother love, personal doubt and a bitter personal rivalry.
In INSURRECTIO, Aurelia tries to stop Caius Tells and his political thugs taking over the country. Plenty of confrontations pile on each other, revolution, escapes, chases, betrayals, etc. But intrinsically, INSURRECTIO is about rational vs. irrational, tyranny vs. consensus, weakness vs. strength and loyalty under immense stress.
RETALIO is the story of a group of Roma Novan exiles struggling to mount a credible and effective force to take back their occupied country. There’s plenty of personal conflict, undercover operations, planning for liberation and courageous acts as well as betrayals. But running through RETALIO are the themes of resilience, resistance and the struggle for liberation and retribution.
Well, these are my thoughts. Do you agree?

Alison Morton is the author of Roma Nova thrillers – INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available. Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, will be out on 12 September 2019.
Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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