Exile - Thirteen historical authors tackle this thorny subject

Today, I’m celebrating a book of beautifully written, poignant, triumphant, sad and personal stories of exile. Some end well, some brim with determination, others have a sad end or are personally satisfying. All will leave you wanting for more. I certainly went straight to buying several full-length books by my fellow authors even when I’d only read the drafts.

Why write short stories when you’re naturally a long form writer?

For me (as a convert), there are four good reasons for joining with other writers to produce a book of short stories.

  • an opportunity to stretch your writing muscles
  • fun to join in a project with writing colleagues (new and old)
  • a chance to strut your stuff to their readers and beyond
  • possibly to make a few bob

My first time was for a collection of speculative stories around that iconic English history event –1066. Nine of us wondered about how things could have gone differently. To say I was dragged into it was an understatement. I wrote my story under a sense of obligation, of helping a friend, a fellow author.

Epiphany!

I actually enjoyed it. I wrote my own collection, I eagerly accepted invitations to join other collections. Now, I always say yes. (Well, unless there are strong, strong reasons against.)

Authors & Stories Featured in Historical Stories of EXILE:

The glorious thing is that I find myself in the best historical fiction company I could wish for:

Annie Whitehead, Wadan Wræclastas (Tread the Path of Exile), Wales, 1057

J.G. Harlond, Victory in Exile Day, England, 1945

Helen Hollick, The Doones of Exmoor by Helen Hollick, London, November 1678

Anna Belfrage, The Unwanted Prince, Sweden, 1575

Elizabeth Chadwick, Coming Home, England, 1189

Loretta Livingstone, The Past My Future, England, 2042

Elizabeth St.John, Into the Light, England, 1636

Alison Morton My Sister, Rome, AD 395

Charlene Newcomb, A King’s Man No More, France, 1199

Marian L Thorpe, On Shining Wings, Northamptonshire, 1265

Amy Maroney, Last Hope For A Queen, Rhodes, Greece, 1461

Cathie Dunn Betrayal, Rouen, Neustria, June, AD 900

Cryssa Bazos The Exiled Heart, Cryssa Bazos, Linz, Austria 1638

Deborah Swift is giving us a brilliant introduction.

Where can you buy Historical Stories of EXILE?

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You can buy it now on Amazon:
https://mybook.to/StoriesOfExile
Paperback:  Barnes & Noble  Waterstones Online   Other retailers (including Amazon)
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Here’s an excerpt from the beginning of my own contribution – ‘My Sister’

Rome AD 395.  Marcellus Varus (narrating) is attending a dinner party with his  sister, Flavola. He’s chatting with friends Lucius Apulius and Gaius Mitelus before eating.

‘How’s your sister taking it?’ Gaius asked me, nodding to the group of women where Flavola stood with a sullen expression.

‘Ah. Well, I…’

‘What?’

‘I haven’t exactly told her yet.’

Lucius looked at me in disbelief. Gaius collapsed laughing. The group of women turned and stared at the outburst of noise. Even the dozen or so other men at the back of the atrium sent puzzled looks at us. After a heartbeat, they returned to their talking. Maelia looked across the room and frowned at us. Lucius took my arm and hustled me into a side room. Gaius followed, still chuckling.

Lucius pushed me down onto a stool.

‘Are you seriously saying that you haven’t told Flavola you’re uprooting her from Rome, from all she knows, and going into voluntary exile?’

‘Look,’ I said, ‘it was hard enough to get her here tonight. She doesn’t get on with Maelia.’

‘You’re wrong, Marcellus,’ Gaius said. ‘She doesn’t get on with anybody.’

‘Don’t poke at my sister, Gaius. You’re not the easiest piece in the pack.’

So that’s all going to go well…

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Here’s to it racing up the charts!

Alison raising a glass of champagne - cheers!

Celebrate with us. Cheers!

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA,  Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, will be out in January 2024.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.

Roman dishwashing

Ancient Roman kitchen (Museum of London reconstruction) Author photo

When our dishwasher broke down, we ended up washing and rinsing by hand – glass, cutlery, crockery, kitchen casseroles, pots and pans – and it provoked thoughts about Roman kitchens and cleaning the dishes two thousand years ago.

Memories of camping washing-up in my childhood emerged; stack it all in a bowl and go over to the shower block where washing-up sinks are located on the outside. Pour in detergent, wash, rinse and dry up, walk back to tent.

Washing up as an individual in the field on military exercise is altogether different. If you’ve been able to have a hot meal/drink, you can use a little water and – wait for it – earth. And rinse, of course, with a little more water. If you’re lucky, you might be near sand. If you’re really lucky, you might also be near a stream. Otherwise pack a few sheets of paper kitchen towels and some plastic bags in your backpack.

A stepping stone to the modern fitted kitchen was the cutting edge Frankfurt Kitchen, designed by Margarete Schütte-Lihotzky for social housing projects in 1926. But even until the middle of the 20th century, washing the dishes often took place in a separate large bowl.

Screenshot

Which brings us back to Ancient Roman washing up…

A Roman kitchen usually had a raised hearth set against a wall waist height and edged with a curb to hold in the hot charcoal. Cooking was done while standing. A gridiron, a large iron stand, supported the pots and pans.

In larger or better-off households, Romans had dishwashers – kitchen slaves. They also helped with lifting heavy storage vessels, collecting wood for fires for cooking, grinding wheat for bread making, preparing food under the stern gaze of the cook who could be free or slave.

Public fountain and trough, Pompeii (Author photo)

Public fountain and trough, Pompeii (Author photo)

Some wealthier citizens’ houses in towns and senior officers’ permanent headquarters enjoyed a water supply piped to them from the public supply, but generally kitchen slaves would fetch buckets of water from the nearest public fountain or trough in the street. Poorer householders would fetch their own from the same sources. Bad luck if you lived on the top of a five-storey insula.

Kitchens were not necessarily clean places but often steamy, sooty and smokey places. Plus the lavatory/toilet/loo (pick your word) was often located in the kitchen!

What needed washing? 

Glasses, cups, plates, bowls, jugs, serving dishes, cutlery. Sounds like today! But all precious, as hand-made, especially the glass.

Roman drinks set, early 5th century (British Museum) Author photo

Cutlery comprised knives of all sizes made of iron, with bone, wood or bronze handles, spoons of bronze, silver and bone.

Roman cutlery (Museum of London) Author photo

Meanwhile in the kitchen, cooks, or the householder, could have a range of utensils from the simplest to the most extensive. As ever, money dictated the choice and number. Frying pans (fretale) made of bronze, round or oval in shape, with a lip for pouring, rectangular iron trays with handles for roasting or frying, shallow pans and earthenware dishes (patellae and patinae) which could be taken to the table for serving. That’s not even thinking of colanders, mixing bowls, mortars, pestles and ladles.

Roman food strainer (Author photo)

Down to the nitty-gritty of cleaning the dishes

So a lot to wash up. The basic method was water, sand as the abrasive and elbow grease. Built-in sinks don’t seem to be evident in Roman houses (Let me know if you find otherwise!).

Large bowls – wood, terracotta or masonry basins with a hole for draining the water – seem to have been standard. A bucket would probably have done as well or even a trough in the street. Of course, there were the famous Roman drains in towns to take away the wastewater. In a larger kitchen, wastewater and often food waste was chucked down the lavatory hole.

Equisetum – Roman washing up brush?

Cleaning utensils and cookware was straightforward. Items made from metals could withstand abrasive cleaning reasonably well, but earthenware dishes, bowls and pots quickly deteriorated and would have needed regular replacement. Perhaps this accounts for the huge amounts of broken items found in excavations. But Romans could always nip along to the local pottery and get replacements cheaply and easily.

One account I read recently thought that cuttlefish bone was used as a cleaning abrasive, as was horsetail (equisetum), commonly called pewter wort, scouring rush, or shave grass, a plant with jointed stems suitable for scouring wooden utensils, dairy vessels, and pewter. Generally, rags or sponges, helped the process along. Hopefully, kitchen sponges and lavatory sponges didn’t become mixed up…

And the floors and work surfaces? Slaves cleaned tabletops and scoured stone and tile floors with – you guessed it – handfuls of sand.

Some Roman kitchens had a separate room called a lavatio (from Latin lavare – to bathe or wash) which was used for washing dishes and other kitchen utensils. It would have had a large basin or a series of basins and a channel or gutter for the water to run off.

We should bear in mind that people in ancient civilisations suffered frequently from gastro-intestinal upsets, something we can generally avoid in today’s Roman Empire. I mean, the modern world. 😉

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA,  Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, will be out on 27 February 2024.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.

EXSILIUM cover reveal!

Reveal of the cover of latest Roma Nova Foundation story EXSILIUM https://alison-morton.com Here it is! I’m delighted with this cover by Jessica Bell Design for EXSILIUM, the sequel to JULIA PRIMA.

It’s always exciting talking through the cover concepts and considering the first ideas that Jessica produces. She always happy to work through any changes or adjustments, but also saves me from having mad ideas!

EXSILIUM (unsurprisingly Latin for ‘exile’ 😉 ) continues the story begun in JULIA PRIMA and recounts what happened next to the characters we met there. The story of Julia and Lucius’s meeting was implanted at the brink of a momentous transition in the Roman world.

Now, in EXSILIUM, the Roman Empire has tipped over that edge with life-changing consequences for every person in that empire and beyond. Inevitably, our characters are affected by, and also affect, events around them.

And they need to make a decision to go or stay…

Soon, I’ll be putting up a page on this site with the back cover copy and publishing details, and at the beginning of next month, where you can pre-order the ebook.

Exciting times!

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA, a Roma Nova Foundation story set in the late 4th century, is now out.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.