Eating the Roman way

A boy holding a platter of fruits and a bucket of crab(?) in a kitchen with fish and squid, on the June panel from a mosaic depicting the months (3rd century) CC Commons - creator Sailko

A boy holding a platter of fruits and a bucket of crab(?) in a kitchen with fish and squid, on the June panel from a mosaic depicting the months (3rd century) CC Commons – creator Sailko

Food is one of the most powerful ways of conveying information about characters. It shows readers not only status and wealth (or lack of either), how time rich or poor characters are, the level of complexity in a society, what crops are grown, their traditions and expectations. A real window into the world.

Ancient Roman food varied immensely. In the beginning, dietary differences between Roman social classes were not very significant, but the political changes from kingdom to republic and empire that expanded exponentially exposed Romans to many new foodstuffs, provincial culinary habits and cooking methods.

Traditionally, a breakfast called ientaculum was served at dawn. In the late morning, Romans ate a small lunch, and in the evening they ate cena, the main meal of the day. With the increased importation of foreign foods, the cena grew larger in size and included a wider range of foods. It gradually shifted to the afternoon, while the vesperna, a light supper eaten in the evening was abandoned completely. Prandium, a second breakfast, was introduced around noon. Among the lower status classes these changes were less pronounced as the traditional routines corresponded closely to the daily rhythms of manual labour.

Roman kitchen, Museum of London

Roman kitchen, Museum of London

In the period of the kings and the early Republic, but also in later periods (for the working classes), the cena essentially consisted of a kind of porridge, the puls. The simplest kind would be made from emmer (a hulled wheat), water, salt and fat. A more sophisticated type was made with olive oil, with an accompaniment of assorted vegetables. The wealthier/higher status classes ate their puls with eggs, cheese, and honey and occasionally meat or fish.

By the end of the Republican period, the cena had developed from two courses – a main course then a dessert with fruit – to three courses: first course (gustatio) which included eggs, snails, fish and seafood, vegetables, cheese. From discoveries at Pompeii and Herculaneum, there were also dormice, served stuffed with pork mince, dormouse meat, pepper, pine nuts and garum (fish sauce) and cooked under a clibanus, a two-part domed terracotta baking/roasting pot. The main course (primae mensae)  was meat – kid and goat, pig meat of all types, prepared meats, game and poultry. Dessert (mensae secundae) comprised fruit, nuts and pastries.

Wikipedia gives us a quick oversight into the Roman diet, but do explore the references for sources (not sauces)!  The classic Roman cookbook, Apicius: De Re Coquinaria, usually thought to have been compiled in the late 4th or early 5th century AD is a treasure chest of recipes. The English translation put in the public domain by the University of Chicago may inspire your own cooking! 

Food and eating in Ancient Rome were not only essential for keeping the body going, but also bound people together: family, household, friends, neighbours, political and business friends and enemies, much like any era in history and even today.

silver-dishes-from-pompeii-and-herculaneum-naples-museum

Silver dishes from Pompeii and Herculaneum, Naples Museum

The rich reclined on couches in the triclinium (the room ‘of the three couches’), while slaves served exotic food and wine with vessels of silver.The less wealthy sat at tables and used vessels of pottery and glass. Graffiti from Pompeii show monotonous diets of bread, oil, leeks, onions and cheese with fish and sausages as treats. But a drain in Herculaneum, serving both poor and rich houses, produced vegetables, including beans, olives and lentils, together with fruit and nuts such as fig, date, apple and grape and hazelnut.

Seafood included scallops, mussels and sea urchins alongside fish such as sardine, eel and anchovy. Chicken, sheep and pig bones were also found, as were seeds of dill, coriander, mint and black peppercorns (imported from India) – an echo of rich sauces.**

And in Roma Nova?
In the first three Roma Nova books set in the present, the characters eat a modern European diet with breakfast, light lunch and dinner in the early evening. When Karen meets Conrad in New York, they do what any couple does – they go out for dinner, even though they are being watched  by the opposition.

greenhood-restaurant

New York restaurant near 23rd Street

The taxi stopped outside a […] restaurant with a dark green awning curving over like a protective hood. Soft yellow lights shone through tinted glass. Inside, it was subdued, intimate and rich. Light music played and couples danced. I’d never been in such a place before.

One lunchtime, they eat informally:

The waitress approached. Conrad touched my hand and narrowed his eyes. After getting some beers, I ordered a salad and, like a tourist, he went for the cardiac-arrest-inducing house special burger and fries. He saw my look of disapproval and laughed.

Carina in 21st century Roma Nova eats meat, fish, pasta, olives, eggs, vegetables, fruit, honey and drinks a lot of coffee. In PERFIDITAS, her juniors in their early twenties only drink water and Carina senses they disapprove of her caffeine addiction. And she’s not averse to an alcoholic drink. On military exercise, she loves nothing better than a bacon and egg sandwich first thing in the morning. (Believe me, you need the calories when you’re running around doing soldier stuff.)

Beginning the day with a fresh egg and bacon roll – hot, salty bacon coupled with the rm liquid of a fried egg bursting in your mouth – in the quiet of a pine forest with the sun starting to shed its early light on you took some beating. The cook grinned at me, sensing an appreciative customer.

‘Like another one, ma’am?’

I swallowed the last piece and grinned back. ‘No. No, thanks. Nothing could better that.’

honey-cake

Honey cake!

Ancient Roman cooking used honey as a sweetener and honey cake is still a  favourite in Roma Nova, as are honey drinks. Even in the police squad room they don’t eat chocolate digestives, but honey biscuits.

In the second trilogy we see Aurelia Mitela knock back her favourite French brandy in times of stress, a glimpse of something we saw in the first three books. As a blood and bone Roma Novan, she’s at home with managing her farm and in INSURRECTIO we see her attachment to the land and its produce:

I panned around with the binoculars. The Castra Lucilla estate complex covered a large area with the pars domenica – the main house – on the south side. The farm office and dormitories for the farmworkers occupied the next section and the fructuaria – the production area where they processed butter, cheese and yoghurt, and packed and bottled everything – lay beyond that. The vinery was at the far end. Barns, milking parlour and all the poultry runs stretched out on the other side. No sign of life from the house, but it was normally closed when none of us was there. Now, shutters hung open on the front.

‘Anything?’ Callixtus asked.

‘Nothing,’ I replied. ‘Not even a vehicle outside the farm office, no barn door open.’ I glanced at my watch. ‘It’s half-seven. People should be swarming all over the place. The fructuaria should be open and running – it’s market day tomorrow in Castra Lucilla and they need to pack all the produce today. We’ve still got wheat and spelt to cut. And then prep work for winter sowing.’ I swung the binoculars round to the fields. ‘And the cows should be in for milking.’

Food also defines other characters such as Miklós, Aurelia’a companion and lover:

Here, for energy,’ he said, and pushed an oval pastry into my hand. It resembled a panis focacius that the Italians called focaccia. It burst in my mouth at the rst bite, herbs and cheese delighting my senses.

‘Gods, what’s this?’ I said, almost forgetting my anger.

‘Pogača. Easy to bake in the fire and eat on the move.’

I stared at him. I could see him hiding up in some remote wood, biting through the crusts, the crumbs irrelevant as he flung himself on his horse and galloped off to avoid border guards or police.

Hungarian pogácsa

Hungarian pogácsa

 

Pogača is a favourite and centuries old ‘fast food’ in Hungary, Turkey, the Balkans so this shows us something about Miklós’s “fast moving’ life style and ethnic background.

 

 

 

 

And Saturnalia?
An advance glimpse into RETALIO…

This was the first year in my entire life I’d missed Saturnalia.

Ceding my place at the head of the Mitela tribe for a day to the princeps Saturnalicius was traditional. For a few hours, Domus Mitelarum would be overrun with noise, people, stupid but fun dares, overeating, games, theatricals and stand-up of dubious taste, arguments, falling in lust, laughter and progressive drunkenness. The under-steward would make sure the children were safe out of the way when the horseplay became too raunchy.

The atrium would blaze with light. Everywhere would be covered in ferns, spruce and pine. In the centre, there would be a large square table covered with linen, silverware, glasses, candles and the best china. Smells of roast pork, lemons and spices, everybody wearing over-colourful clothes, Miklós and I toasting each other and the assembled company with champagne from the Castra Lucilla estate, celebrating life…

roman-banquet

Roberto Bompiani “Il Parassita”, 1875

And garum, the (in)famous fish sauce of ancient Rome used as a seasoning, a condiment and a sauce? By the modern era in Roma Nova, it was available from specialist food retailers and only used for formal occasions. With modern food preservation and seasoning technology garum, unlike honey, had disappeared (without regret as far as Carina is concerned) from many modern Roma Novan tables.

Bene sapiat!  

 

**My thanks to Paul Roberts, curator of a major exhibition on Pompeii and Herculaneum’s article ‘At Home with the Romans’, published in the April 2013 issue of BBC History Magazine.

 

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, is available now.  Audiobooks are available for the first four of the series.

Get INCEPTIO, the series starter, FREE as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

INSURRECTIO awarded the BRAG Medallion!

insurrectio_bragYes, it’s official! I am delighted, no, I’m jumping up and down with elation, that my fifth Roma Nova thriller has been awarded the B.R.A.G. Medallion. And it’s up on the IndieBRAG website. This is a prestigious award for indie only books and is a HIGH honour.

Around 90% of books are rejected (gulp), so you can imagine the nail chewing that goes on after submitting a book.

B.R.A.G. stands for Book Reader Appreciation Group and a whole team of readers – around ten, I believe – have to read and approve your book. No pressure, then…

What’s behind the ethos and motivation of IndieBRAG?
Our mission is to discover talented self-published authors and help them give their work the attention and recognition it deserves.

According to publishing industry surveys, 8 out of 10 adults feel they have a book in them. But traditional or mainstream publishers reject all but a tiny percentage of manuscripts. Historically, this has presented a classic Catch-22, in that you had to be a published author in order to get a publisher.

The advent of self-publishing companies and print-on-demand technology has changed this. Now anyone can publish a book and the number of books being self-published is exploding, reaching into the hundreds of thousands annually. However, there is virtually no control over what is published or by whom, and industry experts believe that up to 95% of indie books are poorly written and edited.

Compounding this problem, these books are rarely reviewed in The New York Times Book Review or by other leading sources. Additionally, the reviews and ratings at online booksellers are often provided by the author’s friends and family, and are therefore unreliable.

There are professional book review services and writing competitions within the self-publishing industry that help address this problem. However, none provide an independent, broad-based and reader-centric source to advise the public which indie books merit the investment of their time and money.

This is precisely the reason that indieBRAG and the B.R.A.G. Medallion exist. We have brought together a global group of readers who are passionate about reading, and who love to help us discover talented self-published authors.”

More about IndieBRAG:  Website      Blog    Twitter @IndieBrag    Facebook    Goodreads

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIOPERFIDITASSUCCESSIO and AURELIA. The fifth in the series, INSURRECTIO, was published in April 2016.

Get INCEPTIO, the series starter, for FREE when you sign up for my free monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Ruth Downie and Vita Brevis

Ruth DownieToday, I’m delighted to welcome Ruth Downie back to the Roma Nova writing world. She’s talked before about historic truth and donkey poo, and wrote a poignant account ‘from below’ at the court of Boudica as part of A Year of Ravens. Of course, Roma Novans know her as the name on the endorsement for AURELIA

In 2004 Ruth was one of the winners in a televised short story competition, and the BBC’s threat to come back and see how her writing was going spurred her to finish her abandoned crime novel about a Roman army medic. To her great surprise that book—‘Medicus’—became a New York Times bestseller and The Times recommended it as one of their  ‘Seven best thrillers for Christmas’. ‘Vita Brevis’, the seventh book in the acclaimed series, was published just recently. When she isn’t writing, Ruth’s happiest moments are spent grovelling in mud with an archaeological trowel.

Salve Ruth! Do tell us why you wrote VITA BREVIS!
Neither of my lead characters, Roman army doctor Ruso and his British partner, Tilla has ever been to Rome before (lots of ‘Roman’ citizens were born and died without ever seeing it) and I thought it would be fun to see what they made of it. Of course, there was a research trip involved, which helped… (Any excuse!)

Why do you think Ruso is like he is?
Poor old Ruso: he’s a man burdened with guilt. He’s the eldest son, but in following his own interests and becoming a doctor, he’s not only shocked his late father but landed his brother with the burden of the family farm — and the family. Perhaps he’s trying to make up for that guilt when he finds it very hard to say ‘no’ – to his patients, his woman, and to people who insist on presenting him with dead bodies and expecting him to do something about them. But if he doesn’t, who will?

Surrounded by men of ambition, he’s too honest to imagine himself as a success. The advances of modern medicine lie a long way in the future and like every other reputable doctor of his time, he’s aware that Fortune can be fickle and that there’s a huge amount he simply doesn’t know. Which is why charlatans who mislead patients with impossible promises make him very angry indeed.

roman-medical-instruments_ashmoleon

Roman medical instruments, Ashmoleon Museum

What does he think he’s like?
Ruso sees himself as a man who’s doing his best in trying circumstances. He’s baffled by religion — especially his wife’s insistence on believing anything and everything — and tries to take consolation in philosophy, but people will keep interrupting.

He finds that being married to a native gives him useful insights into the minds of the Britons, which are not as clouded as his compatriots tend to assume. However, as the civilized member of the marriage he feels he has a duty to defend the superior values of Rome. This is more of a challenge than it needs to be because of Tilla’s stubborn insistence on asking awkward questions.

He’s not entirely comfortable in the company of women, having a vague suspicion they all know something he doesn’t. Being married to Tilla has helped with this, because he’s now beginning to think that whatever it is, Tilla doesn’t know it either.

Of one thing, though, he is certain. Every man has his limits. No matter what anyone else says, he is not going to make room for any more waifs, strays, unwanted slaves or other people’s unplanned babies. The Petreius household is full. (Oh, yes?)

What waits for us in Vita Brevis?
vita-brevis-coverRuso and Tilla and their new baby daughter have left Roman-occupied Britain for Rome itself. Their excitement is soon dulled by the discovery that the grand facades of polished marble mask an underworld of corrupt landlords and vermin-infested tenements. There are also far too many doctors—some skilled, but others positively dangerous.

Ruso thinks he has been offered a reputable medical practice only to find that his predecessor Doctor Kleitos has fled, leaving a dead man in a barrel on the doorstep and the warning, “Be careful who you trust.”
With Ruso’s reputation under threat, he and Tilla must protect their small family from Doctor Kleitos’s debt collectors and find allies in their new home while they track down the vanished doctor and find out the truth about the unfortunate man in the barrel.

******************

“Masterfully draws out its suspense, painting a vivid portrait of ancient Rome that feels persuasive and authentic”
—Kirkus Reviews

“Downie’s plotting is as engaging as ever… much more than a mystery novel”
—Historical Novel Society

“Reading Vita Brevis felt like catching up with old friends”
—Italophile Book Reviews

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Buying links:  Amazon UK     Book Depository     Amazon US

Connect with Ruth:   Website      Twitter @RuthSDownie      Facebook

Thank you so much for stopping by  today, Ruth and bona fortuna on the rest of your blog tour. Speaking of which, here is the onward route that Ruso and Tilla are taking…
vitabrevis_blogtourdoc_sm

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIOPERFIDITASSUCCESSIO and AURELIA. The fifth in the series, INSURRECTIO, was published in April 2016.

Find out Roma Nova news and book progress before everybody else, and take part in giveaways by signing up for her free monthly email newsletter.