New Romans for old?

Legate, senate, imperial secretaries, centurion, people’s tribunes, praetor, vigiles? All terms we may know from ancient Rome. What are they doing in the 20th and 21st centuries? Well, they’re used in Roma Nova, the (imaginary) last Roman province in the West that survived into the modern age.

Roma Novans have kept many of these words – they are after all Latin speakers with a strong sense of their cultural identity – but they’ve added new ones and changed the meanings of others in keeping with the age they live in. Here’s a quick and easy guide:

Word Old Ancient Roman meaning Roma Nova meaning
Imperatrix Didn’t exist. ‘Imperator’ was a commander in chief, later a ruler. Roman emperors were called ‘Augustus’ and later their deputies were called Caesars. (Female) Ruler of Roma Nova
Count/Countess, Latin ‘Comes In later antiquity, especially in the Eastern Roman/Byzantine, a ruler’s companion/delegated power holder Head of one of the Twelve Families who form a support network for the imperatrix
Imperial secretary Powerful functionary serving the emperor; often wielding power in specific areas and most likely freedmen Senior civil servant in the imperial government
Consiliaria (f)
Consiliarius (m)
Councillor, but only male in Ancient Rome as women had no public administrative or political role Councillor, equivalent to a cabinet minister in the Western sense
Quaestor A Roman magistrate in charge of the pecuniary affairs of a state body or province; also used for quartermaster general Ditto; the Imperial Quaestor is the budget minister.
Praetor Senior magistrate with nearly consular power; later, more of a senior imperial administrator Senior judicial officer/senior judge
Praetor urbanus Senior magistrate of the city, with the power to summon the Senate and organize the defence of the city in the event of an attack Head of Roma Nova judiciary; governs in absence of the imperatrix in tandem with the imperial council
Censor Maintained the census, supervised public morality and oversaw certain aspects of the government’s finances, especially tax Maintains the census and collects all taxes
Senate Originally an advisory council, later authorised state spending, military campaigns and supervised administration of provinces; could authorise rule by decree and appointment of a dictator, but power declined under the emperors. Appointed from the ‘great and the good’; later part appointed, part elected
Legislative assemblies (Curiate Assembly, Centuriate Assembly, Tribal Assembly, Plebian Council) Basic functions were to pass laws, elect magistrates, and try judicial cases. Evolved over time; powers were subsumed in a weakened senate under the emperors. People’s Representatives, elected by universal suffrage of citizens
Tribunes
(political)
Tribunes of the Plebs acted as a check on the authority of the senate and the annual magistrates, holding the power of ius intercessionis to intervene on behalf of the plebeians, and veto unfavourable legislation. Elected by the People’s Representatives as speakers and intercessionaries with the courts, senate and imperatrix.
Vigiles Rome’s firefighters turned night watch. Often ex-slaves/ former legionaries Standard policing duties up until the Great Rebellion. Re-formed as the custodes
Urban Cohorts
(cohortes urbanae)
Their primary role was to police Rome and  counteract the roaming mobs and gangs especially during the Republic. The urban cohorts thus acted as a heavy duty police force, including riot control. Merged with the former vigiles to form the custodes
Praetorian Guard Originally the commander’s then emperor’s personal guard, evolving into elite troops Praetorians guard the imperatrix, her family, major state institutions and persons; specialist branch (PGSF) acts in special forces role.
Patricians The original ruling families of Ancient Rome and their descendants, roughly equivalent to aristocrats, who exerted influence and occupied senior positions in the senate, military and state machine. The Twelve Families who founded Roma Nova who are obliged to serve the imperatrix who is in turn obliged to listen to their advice.
Centurion Professional officer of the Roman military forces, very loosely equivalent to junior/middle officer rank of a modern army and with a multi-layered system of progression within the centurion grade. Backbone of the Roman army. Deputy called optio. Roma Novan centurions are  equivalent to senior/staff sergeants; senior centurion equivalent to Warrant OfficerI.

Standard modern military names e.g. captain, major, now apply for higher grades.

Legate (military) General in the Roman army of senatorial status, appointed by the emperor Senior officer of a military forces unit e.g. PGSF, appointed by imperatrix and confirmed by the senate

So there you have it, citizens!

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Book trailers – a good idea?


If it doesn’t display properly (sigh) click here: https://youtu.be/DpBVLxTGrQ0

Last week, I released the book trailer for my new novel INSURRECTIO due out on 12 April. Hooray! But are they worth the effort of making them or the cost of commissioning them? And do readers watch them?

A trailer is basically a short video introducing a book. They can be a scene from the book, a clip of the author speaking about their novel, or a slide show relevant images and text. As we live in the digital age, and it can be shared all over the world, a trailer might be the ideal marketing tool.

I’ve listed a few tips below, but first, let’s look at pros and cons…

Pros
1. Book trailers can make a lasting impression
With music, text, images and sometimes little movie clips, a trailer offers a greater sensory experience than a print advert or static online announcement. Trailers are relatively new and not every book has one, so a book with a trailer has the chance to make a stronger impression on a potential reader.

2. Easy to consume and easy to share
I love going in a bookshop, but more people look online for their reading matter. In an age of information overload, it’s easy to sit back and watch a one-minute clip, especially if it’s one you stumble upon in your Facebook newsfeed or YouTube suggestions.
Viewers see video as entertainment, so while a book trailer might be quite labour intensive it is one of the most shareable, with potential to go viral.

3. Book trailers are eternal
While the financial investment in a book trailer might not pay off right away, it may over time. One of the greatest strengths of a book trailer is that unlike other book marketing efforts, such as adverts or launch parties which have a have temporary reach, a trailer will live on as long as it remains online. Over time, it continues introducing new readers to an author’s work.

Cons
1. Book trailers are expected to be of a high standard
Anyone who comes across a book trailer will expect a high-quality cinematic experience; it may be unfair, but book trailers are compared to movie trailers which have high-quality editing, emotion-grabbing audio and exciting visual effects.

A poorly made book trailer sticks out and can damage the image of the book and the author and thus hurt sales. Worse they can make people laugh in derision and go viral for all the wrong reasons.

2. Book trailers are not universally accepted as a marketing tool
Some authors, publishers and readers are wary of the emergence of book trailers, because they intrude on the reading experience. They can take away the magic of discovery. I’m not so sure about this objection as a detailed blurb on the back of the book or spoilers on Amazon can do this equally well/badly.

3. A good book trailer involves a significant investment of time, money and skill
A 45-second book trailer may look easy to produce, but video is an entirely different medium to print. Depending upon the sophistication of the trailer, it can involve storyboard, script, music, purchased images, film clips plus editing skill and a deep bucketful of patience!

4. It’s hard to determine return on investment
It’s said that 50% of marketing works but nobody know which 50%. Opinions differ about the number of views of any one trailer and conversions into sales. It may well not be the persuading factor leading to a sale, but I think it provides some fun plus builds awareness about an author’s books. If the video is placed on an author’s website home page, potential readers will have the chance to find out more about the book in an entertaining way.

My conclusion?
If you’re prepared to make the effort, it’s a good visual way to make people aware of your book. If commissioning a trailer from somebody else, you’ll have to think hard about whether and how much to spend some of your marketing budget on it. It’s one more tool in the famous marketing toolbox. As a reader, I like watching them to get a flavour of the book, but a boring or too long one will put me off.

I make my own book trailers – I’m clearly a geek – and so far nobody has said anything rude. I’ve even had some compliments and requests to make them for other people. Don’t ask!

Some tips…
If you’re a Windows user, you can download Photo Story or Movie Maker from Microsoft. Mac computers come pre-loaded with iMovie software. If you have PowerPoint, you can add soundtracks, slide animations and slide transitions to presentations, and then export to video. All of these options produce a video file that must be hosted somewhere usually YouTube or Vimeo.

A possible ‘quick-and-easy’ solution is using Animoto ;  the ‘lite’ version is free and enables you to create 30-second animated trailers. They are a tad formulaic, though.

So how do you start?
1. Write a script, known as a storyboard
You can start with the cover blurb, but cut and edit it severely. People digest text very differently when watching video so keep the subtitles short and snappy. Make sure the text and images carry the same message.

2. Select images very carefully
If you haven’t any suitable photos you can adapt or manipulate, buy in from a photo library. don’t be tempted to pinch them from Google or you’ll find it could be extremely expensive when you are sent an invoice by the image copyright owner.

3. Work with a graphics package (Photoshop, Pixelmator, PaintShopPro) to crop, colorise, sharpen, blur, etc. your images until they are just right for your storyboard. ‘Will do’ won’t do.

4. Start strong
You want to grab people’s attention from the beginning so you need to start with something engaging. Put the protagonist in a tricky situation in the first or second image.

5. Keep it steady
If inserting movie clips you’ve made yourself, use a tripod when shooting or improvise. Very few of use can keep our hands that steady.

6. Simple ideas are the best – KISS mode
As long ago as the 1960s, the US Navy used “Keep it simple, stupid” as a design principle. Using too many different elements can make a book trailer confusing and hard to watch, so keep it to the strongest themes of the book should .

7. Don’t just summarise the plot
A trailer should have enticing hints but never reveal the ending of the book otherwise viewers won’t want to go and read the book. But there must be enough emotional pull to arouse curiosity, to make the viewer care what happens to the protagonist.

8. Choose music carefully
If you use somebody else’s songs/music in your trailer, you must have their written permission as it’s their copyright. You can visit iStockphoto or similar to purchase music clips or if you’re musically inclined (or have friends who are) compose your own soundtrack.

9. Keep it short!
If you have made an intense, fast-paced, immensely attractive trailer, viewers will love it, but can’t take more that two minutes max., preferably one minute, of finished trailer. Mine come in at 1:20 mins.

10. Make a thumbnail title image
After uploading to e.g. YouTube you can upload a front title and image of your own choosing. You then control how it will be seen all over social media plus it will look far more professional.

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Isca Dumnoniorum, or Exeter to you and me

Isca Dumnoniorum

Isca Dumnoniorum c. AD 350

I’ve been over in Devon staying with my writing friend Helen Hollick for a week and yesterday we visited Exeter, including the museum. Of course, I went for the Roman stuff!

The Romans established a large castrum (fortified camp) named Isca around AD 55 at the southwest end of the Fosse Way as the base for the 5 000-man Legio II Augusta (Second Augustan Legion) originally led by Vespasian (later Roman emperor) for the next twenty years before they moved to Caerleon in Wales, which was also known as Isca.

To distinguish the two, the Romans also referred to Exeter as Isca Dumnoniorum after the name of the local tribe and Caerleon as Isca Augusta.

Isca legionary bathhouse concrete

Roman concrete c. 60-65 AD from the legionary bath house Front: Concrete called opus signinum used extensively in the legionary bath-house. Rear: Purbeck marble mouldings from the legionary bath-house

 

A civilian community (vicus or canabae) inhabited by local tribespeople and the soldiers’ families, grew round the camp, mostly to the northeast.

When Legio II Augusta left the camp around AD 75 to go north to fight tribes in Wales. its grounds were converted to civilian purposes; its very large legionary bathhouse was demolished to make way for a forum, basilica and a smaller-scale bathhouse.

 

Isca domestic pottery

Isca domestic pottery

 

The settlement served as the tribal capital (civitas) of the Dumont and Isca Dumnoniorum seems to have been most prosperous in the first half of the 4th century.

More than a thousand Roman coins have been found around the city and there is evidence for copper and bronze working, a stock-yard, and markets for the livestock, crops, and pottery produced in the surrounding area.

Isca corridor mosaic

Mosaic from a townhouse c. 300-350 AD The tesserae are made from pieces red tile and blue, white and cream stones and one of the most elaborate corridor mosaics yet discovered from Roman Britain.

 

 

Trade with the Mediterranean  continued bringing luxuries like wine and fine pottery. In the 3rd century AD new stone wall and gatehouses were built.

Wealthier people lived in townhouses with costly mosaic floors; other areas of housing fell into disuse or were converted into farmyards.

In 410 AD the last Roman soldiers left Britain to defend Rome against attacks by hostile tribes. By then Isca’s suburbs were being abandoned; there are few remains from this time.

Dates of coins discovered so far suggest a rapid decline: virtually none have been discovered with dates after AD 380. By around 500, the basilica had fallen down and Isca’s busy urban life was over.

 

 

———–

Addendum: And here’s a fellow Roman scribe who lives in the area – Ruth Downie.

Not only is she the author of the Ruso Medicus series, she also gave me a terrific front cover endorsement for AURELIA when in was launched in 2015. We had a great lunch and natter about all things Roman and writing.

 

 

Updated 2025: Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA,  Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, is now out.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.