 Family of Drusus, Museum of Roman Civilisation, Rome (Author photo)
I’ve been fascinated by all things Roman since I walked on my first mosaic in northern Spain. At age eleven, I wanted to know who the people were who had lived in houses with such beautiful floors: what did they eat, what did they work at, what were the children and parents like? As I grew older and studied the Romans more formally, I appreciated what a complex, clever and determined society they had made. “Rome” in the West lasted for 1229 years – that’s the equivalent of from AD 789 to today.
Rome passed from mud hut tribal subsistence farming to the heights of the Pax Romana with its rule of law, art and literature, trade, engineering, and ability to learn; Romans set the template for the western nations that emerged over the next centuries.
I don’t want to sound too much like the John Cleese in the Monty Python video “What have the Romans done for us“, but you get the idea I’m impressed! However, we do well to remember not everybody lived well, especially at the lower end of the social spectrum as a slave, but the vast majority of the population had a standard of living that wasn’t achieved again until the nineteenth century.
In my thriller novels, Roma Nova is governed by women. The Ancient (“real”) Romans had a very interesting way of viewing women: they were granted the status and respect, but had no public rights or say in their world. In law, women were viewed more or less as disposable property belonging to the family. How then do I reconcile the view of the “real” Romans with the Romans in my alternative timeline?
 Cornelia, Mother of the Gracchi, 1785 (Angelica Kaufmann 1741-1807)
If they were free-born, women in ancient Rome were citizens – an important status in a world where a hefty proportion of the population was slave. Towards the later Imperial period women gained much more freedom to act, trade, own property and run businesses of all types. But they still held no direct political power. Producing the next generation, running complex households and contributing to social, religious and cultural life were not activities as valued as in the twenty-first century (and that’s a contentious point!)
Nevertheless, women from wealthy or powerful Roman families could and did exert influence throughout Rome’s history: Cornelia Africana, mother of the Gracchi; the Julio-Claudian Livia Drusilla, wife and councillor of Augustus; the later Severan Julias; and Galla Placidia towards the end of the Roman Empire.
In my novels, women rule, but men are not disadvantaged; life is much more nuanced than that. Roma Nova survived by changing its social structure; as men constantly fought to defend the new colony, women took over the social, political and economic roles, weaving new power and influence networks based on family structures.
So far, only a few steps away from the traditional Roman cultural pattern…
But given the unstable, dangerous times in Roma Nova’s first few hundred years, especially during the Great Migrations in Europe, Roma Nova ran out of young and older men to put in the front line. Fit and tough as pioneers tend to be, daughters and sisters put on armour and hefted weapons to defend their homeland and their way of life. Fighting danger side by side with brothers and fathers reinforced women’s roles. And they never allowed the incursion of monotheistic paternalistic religions. So I don’t think that it’s too far a stretch for women to have developed leadership roles in all parts of Roma Novan life over the next sixteen centuries.
 Karen/Carina in her new role as a Roma Novan custos?
My female protagonist Karen’s story starts in INCEPTIO in a standard Western society. When she is compelled to flee to her dead mother’s homeland in Europe, she finds the Roman-infused culture unnerving; Roma Novans live to a tough ethic of self-sufficiency, and an ingrained sense of duty to their state – core Roman values which have been crucial to their survival down the centuries. The strong female characters surrounding Karen – her grandmother, cousin, female colleagues and friends – are the result of this and form the pattern for her.
And the biggest challenge when writing about strong women? Plausibility.
You can’t jump from a passive, protected fragile flower to super-heroine, even if she passes through a formative traumatic event. Writers need to give hints about resilience, integrity and an ability to develop confidence as well as physical abilities. Undoubtedly, a strong female character has to have an equally strong will and a passion to drive through what she believes in.
Although Karen starts in INCEPTIO as an office worker, we see from the first page that she’s prepare to stand her ground against people doing wrong, even knocking them to the ground when they’ve attacked her. We know she’s outdoorsy and sporty, has learned to protect herself emotionally and to question everything. She demonstrates signs of mental and physical toughness and resilience even when living in a ‘normal’ existence. So when she becomes an undercover operative, she already has many latent characteristics required. She’s not without doubts, though – she’s no Lara Croft!
A second, related challenge is not falling into the trap of making a strong character have moments of unbelievable weakness. Doubt, a temper, love for movies, a penchant for butter beans or brandy help to round a character out, but writers must not go too far and over-compensate for the toughness. A military type will drink and swear – it’s the pressure of the job – but she will have the normal emotions of any other woman, although expressed differently. While Aurelia’s political and military skills are well developed, she’s very aware of her lack of easy social chit-chat. She’s unable to connect with her daughter and her cousin Severina when they talk and laugh about films and fashion. But she does love her roses, and of course, the restless Miklós…
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available. Audiobooks are available for four of the series.
Download INCEPTIO, the series starter, FREE as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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All fictional characters are, er, fictional. We borrow, mine, or lift characteristics from Real Life, but unless we want to get sued, the finally moulded form is a construct. We can gender mirror (I love using that expression – also made up), we can speculate, we can imagine.
Ditto the setting. Even if your thriller story is set in a gritty suburb, a private tropical island, a galaxy far, far away, or grounded by finding a parking space at Waitrose, your book world is fictional.
If you draw on fairy tales, legends or myths, the whole world is a piece of an individual’s or a collective people’s imagination.
 Diana, goddess of the hunt, Capitoline Museum
And time… Are you in Ancient Rome, today’s London or 30,000 years in the future? It’s not real time; it’s fictional time that often passes differently to our own perception of time.
Opening any book opens you to a new world and releases you from the confines of your place and time, whether as reader or writer. And this is a perfect way into speculating about the “what if”, especially for women. In Real Life, women see fewer aspirational patterns and models than men do. Perhaps this is why there are significantly more women writers and women readers than men; women are seeking an alternative..
In many works, especially Roman fiction, male heroes are outspoken, forthright, taking leadership, leading the action, making decisions. Women are secondary – the wife, girlfriend, assistant, the rape victim, the classic stereotype of nurse, the scientist (a slight upgrade), the soft contrast to the hero. If they do take a leading role, they are uncomfortable, unhappy or unfulfilled as women or, stereotypically, the “evil one” even in childhood reading such as the Narnia series.

And as for Livia as portrayed in I, Claudius – don’t get me started! Read this intelligent and informative analysis of Livia’s actions which neatly debunks the false reputation ascribed to Livia.
Women with power and agency, i.e. who can and do act, seem to be seen as a threat, so they are slotted in as angels or demons, nurses or harlots. What a shame.
Things are changing, but we still automatically visualise soldier, surgeon, CEO, firefighter or mechanic as male.
Enter science fiction, fantasy and its subgenres, including alternative history. SFF (for short) has long served as a platform for social criticism and commentary. George Orwell, Ursula Le Guin and Margaret Attwood are obvious examples. But it too has been crammed chock full of reduced or neglected female figures. We’ve been a long time waiting for Wonder Woman to go mainstream.

But an ever increasing number of authors in speculative genres are using their stories to question the central issue of gender roles. Readers travel to places far removed from their current social reality where the givens are not only questioned but tipped upside down. All constraints are down and the result may be welcome or reflect real fears. And once an idea has entered somebody’s head, it can rarely be dislodged. The synapses are firing…
Resolution, loyalty, serving the state are not exclusively male qualities. Caring, empathy, supporting are not exclusively female ones. All genders can express love, hurt, self-doubt but also happiness, acceptance and friendship. Mix all that together and bake in different tins until well done.
My Roma Nova novels aim to do just that. It took a feminist mother, a Roman nut father, voracious reading of the weird and wonderful, six years in the military and a bad film to trigger this for me, but I remembered everything and once sparked, the Roma Nova world with its courageous and complex heroines has never left my mind.
Engaging with concepts, worlds and characters that seem impossible or unrealistic lets us play with a hidden, secret or yearned for adventure we couldn’t take in real life, not least due to our gender. Science fiction and fantasy novelists can show readers a radically different worldview and cultures through stories of astounding adventures in alternative realms.
And who knows? Perhaps speculative stories, with their heroic women and their derring-do have the potential to provoke change in the real world.
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. Double Pursuit, the sequel, is now out!
Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.
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Inventing a military unit like the 21st century Praetorian Guard Special Forces in my Roma Nova books was an interesting challenge!
I chose to use the old Roman name because, although later corrupt and power broking, they were the courageous, battle-hardened elite who guarded the Ancient Roman emperor’s life with theirs. And service to the imperatrix and the state is today the core value of the Roma Novan Praetorians.
Who were the original Praetorians?
The cohortes praetoriae were first mentioned around 275 BC during the Roman Republic as a guard for the command HQ – the praetorium – and served on an ad hoc basis as a small escort force for high-ranking officials such as army generals or provincial governors. Usually war leaders wore a distinguishing garment or headdress; perfect for showing your own troops who they should rally round, but also tending to act as a big fat target sign to the enemy. For this reason, during the Siege of Numantia, Scipio Aemilianus formed a troop of 500 men for his personal protection.
As Roman generals occupied their positions for longer periods of time the name cohors prætoria emerged. (Cohors means one armed unit, cohortes more than one. Strangely enough, cohors means attendants, retinue, staff as you might expect, but also enclosure/yard/pen or farmyard!)
By the end of 40 BC, Octavian (Julius Caesar’s great-nephew, adopted son and heir, and future Roman emperor Augustus) and his rival Mark Antony both operated Praetorian units during their civil wars. Mark Antony commanded three cohorts in the East and even issued coins in honour of his Praetorians in 32 BC. Octavian is said to have commanded five cohorts at the Battle of Actium. Following this victory, Octavian merged his forces with those of the defeated Mark Antony in a symbolic reunification of the former army of Julius Caesar. And the Praetorians melded into his personal security detail.
Hand-picked veterans, the accompanied the emperor on active campaign, serving as the last reserve in battle. In more peaceful times, they functioned as secret police and enforcers protecting the civic administration and rule of law as defined by (sometimes) the Senate and (ultimately and more often) the emperor.
Service in the Praetorian Guard
As Praetorians represented the elite soldiers from the legions a man had to be in excellent physical condition, of good moral character, and come from a respectable family if he wished to be be admitted to the Guard. In addition, he had to obtain letters of recommendations from higher status members of society; this is where good connections counted! Once past the recruitment procedure, he was designated as probatus, and assigned as a miles (soldier) to one of the centuries of a cohort. After two years, he could be considered for the post of immunis (roughly equivalent to a corporal), perhaps as a commis (junior chief) at general headquarters or as a technician. This first promotion exempted him from daily basic tasks (hence our word immune). After another two years, he could be promoted to principalis, with salary doubled, and in charge of delivering messages (tesserarius), as an assistant centurion (optio) or standard bearer (signifer) at the corps of the century. If literate and numerate, he could join the administrative staff of the prefect.
 A Praetorian soldier from the 2nd century AD – retrieved in Pozzuoli (1800). Pergamon Museum, Berlin
Praetorians’ mandatory service was shorter in duration than for soldiers in the legions; twelve years instead of sixteen starting in year 13 BC, then from AD5 sixteen instead of twenty years. Under Nero, the pay of a Praetorian was three and a half times that of a legionary, augmented by donativum, a ‘donation’ a.k.a. bribe) granted by each new emperor. This additional pay was often repeated at significant events including birthdays, births and marriages of the imperial family.
In order not to alienate the population of Rome, while conserving Republican civilian traditions, the Praetorians did not wear their armour while in the heart of the city. Instead they often dressed in a formal toga, which distinguished them from civilians but remained the mark of a Roman citizen. Augustus, conscious of the risk of maintaining a military force in an obvious way within the city, imposed this dress code.
Major monetary distributions or food subsidies rewarded/bought the fidelity of the Praetorians following each failed plot (such as that of Messalina against Claudius in AD 48 or Piso against Nero in AD 65).
 Patrick Stewart as Sejanus, Patricia Quinn as Livilla in the BBC adaptation of I, Claudius (Robert Graves)
Bad apples
Efficient and generally feared as they were, becoming their leader (praefectus) was a springboard to immense power. One of the most infamous prefects was Sejanus (acted by a younger Patrick Stewart in the television series I, Claudius). Lucius Aelius Seianus rose to power under Tiberius and was one of the first prefects to exploit his position in order to pursue his own ambitions. He concentrated all the Praetorians under his personal command and made himself indispensable to the new emperor Tiberius, who tried in vain to persuade the Senate to share the responsibility of governing the Empire. Tiberius became an absentee emperor, a recluse on Capri, and left everything to his energetic prefect.
However, Sejanus alienated Drusus, Tiberius’s son, and when Germanicus, the heir to the throne, died in AD 19, Sejanus feared that Drusus would become the next emperor. So he poisoned Drusus with the help of the latter’s wife, Livilla, and immediately launched a ruthless elimination programme against all potential competitors. He even persuaded Tiberius to make him his heir apparent.
Sejanus nearly succeeded in grabbing power, but his plot was discovered in AD 31. Using the vigiles and the cohortes urbanae (together effectively Rome’s civilian police), Tiberius manoeuvred Sejanus into a position of weakness from which he fell from power and was executed.
Decline and fall
Later, the Guard intrigued and interfered in Roman politics to the point of overthrowing emperors and proclaiming their successors even before they were ratified by the Senate and the legions stationed in the provinces. After AD 238, literary and epigraphic sources dry up, and information on the Praetorian Guard becomes scarce during the following fifty years, a period in which the Roman Empire nearly collapsed under the combined pressures of invasion, civil war, plague, and economic depression, known as the Crisis of the Third Century
In AD 284, Diocletian reduced their status; they were no longer to be part of palace life. After all, Diocletian lived in Nicomedia, modern Turkey, 60 miles from Byzantium. Two new corps, the Ioviani and Herculiani (named after the gods Jupiter and Hercules), replaced the Praetorians as the personal protectors of the emperors, a practice that remained intact with the Tetrarchy. By the time Diocletian retired in May AD 305, their Castra Praetoria seems to have housed only a minor garrison in Rome.
 The Battle of the Milvian Bridge by (Giulio Romano,1524, Vatican Museum)
During the early 4th century, Caesar Flavius Valerius Severus attempted to disband the Praetorian Guard. In response, the Praetorians turned to Maxentius, the son of the retired emperor Maximian, and proclaimed him their emperor in October AD 306. By AD 312, however, Constantine the Great marched on Rome with an army in order to eliminate Maxentius and gain control of the Western Roman Empire, resulting in the Battle of the Milvian Bridge. Ultimately, Constantine’s army achieved a decisive victory against the Praetorians, whose emperor, Maxentius, was killed during the fighting. Constantine definitively disbanded the remnants of the Praetorian Guard, sending remaining soldiers out to various corners of the empire. The Castra Praetoria was dismantled in a grand gesture inaugurating a new age in Roman history, ending that of the original Praetorians.
Why haven’t the Roma Novan Praetorians ‘gone bad’?
Firstly, they have the shining example of the ancients; overstep the mark and you will be abolished.
Secondly, the Twelve Families, the imperatrix‘s council of advisers drawn from the original families settling Roma Nova, are closer to the ruler than any Praetorian would be and thus form a buffer.
Thirdly, although the Praetorians’ function is to protect the ruler, act as her intelligence service and special forces, they are employed soldiers like others in the Roma Novan military and like other citizens are subject to the law. That’s the theory…
Women Praetorians?
As Ancient Rome was a patriarchal society, Praetorians were, like all military, uniquely male.
 Photo courtesy of Britannia www.durolitum.co.uk
The original guard had been finally disbanded nearly a hundred years before the small group of senatorial families were to trek north and found the Roma Nova in my books in AD 395. Perhaps the ‘new Romans’ felt the negative connotations about Praetorians had faded or perhaps they were desperate to hang on to their deepest traditions – Romans were proud of their history and traditional cultural values – but when a bodyguard was formed for the first ruler, Apulius, they called it the cohors praetoria or Praetorian Guard.
Women became members of the fighting units defending Roma Nova alongside their brothers and fathers. They had no choice; the new settlers were numerically so few that they didn’t have enough male fighters. As the units evolved into legions over the years, women were eligible to transfer from the regular forces into the Praetorian units along with their male colleagues. The requirements for every Praetorian down the ages were (and still are) strength, a very high level of physical fitness, intelligence and skills levels, irrespective of gender.
The ancients were permitted to bear arms inside the city of Rome, so my modern Praetorians are allowed to carry side arms inside the Golden Palace, the home of Roma Nova’s imperatrix.
The Praetorian Guard in my Roma Nova books protect the imperatrix (ruler) and also form an elite tactical military force as they did in ancient Rome. This is how Aurelia and Carina Mitela have ended up serving in the Praetorian Guard Special Forces – an ‘odd job’ for women in history, especially when until recently in the real world, too, such a role would normally have been associated exclusively with men.

Alison Morton is the author of Roma Nova thrillers – INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.
Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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