HNS Short Story Award 2014 - a reminder!

HNSlogoDeadline 1 April 2014!

The Historical Novel Society seeks to support writers of new historical fiction by the HNS International Awards – a series of competitions for previously unpublished short stories and novels.

The 2014 Historical Novel Society International Award, with a prize of $2,000, will be for an outstanding historical short story. There will be an entry fee of $15 per story ($5 for members of the Historical Novel Society), and entries must be between 1,000 and 5,000 words. Submissions will be accepted from 1st December 2013, with a deadline for submissions of 1st April 2014.

For an idea of the quality of story we are looking for, please see the first HNS anthology, The Beggar at the Gate.

Your story in English can be in any genre of historical fiction but set at least fifty years ago. Entry is open to authors regardless of age or nationality and whether or not previously published. Full rules here.

Good luck!

 

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.

Jane Thynne and the allure of 1930s Germany

Jane ThynneToday, I’m thrilled to welcome Jane Thynne to my blog.  Jane has worked as a journalist for the BBC, The Sunday Times, The Daily Telegraph, and The Independent. She has been a panellist on the BBC Radio 4 literary panel game The Write Stuff on many occasions and was a member of the judging panel for the Oldie of the Year award in 2010 and a judge for the Best Online Only Audio Drama award of the first BBC Audio Drama Awards in 2012. Her first novel, Patrimony, was published in 199 followed by The Shell House in 1999, The Weighing of the Heart in 2010 and Black Roses in 2013.

Jane and I share a fascination not only for Berlin but for the lives of women during the Third Reich in Germany, mine non-fiction, hers spy thrillers in the world of the Nazi leaders’ wives, so it seemed natural to grill her about this…

Goering marriage

Goering marriage

What attracted you to writing about women in Nazi Germany and having a woman protagonist in what has been depicted as a very male-dominated period?
The lives of German women under Hitler – like so much in the Third Reich – was rife with contradictions. It was an intensely misogynistic regime, and yet Hitler received more fan-mail than The Beatles and Mick Jagger put together. No one encapsulated these ironies more than the senior Nazi wives, who were expected to embody Nazi values but diverged from them in dramatic ways. We know a little of what it felt like because several of them, such as Emmy Goering, wrote memoirs about their lives. In many cases they were an important influence on their husbands – some of them, like the wives of von Ribbentrop and Heydrich – more Nazi than their men. Others, like Frau Goering, the wife of Baldur von Schirach, actively interceded with their husbands on an occasional basis to save friends.

But I was also interested in the lives of ordinary women, trying to live under an increasingly restricted, totalitarian regime. In my new novel, The Winter Garden, a murder takes place in a Bride School, one of those institutions established in 1935 by Himmler for women hoping to marry into the SS. Women actually had to gain a certificate in order to qualify for their wedding. Incredible!

Black Roses 2It seemed a good idea to make Clara Vine, my protagonist, an Anglo-German actress. Berlin was the centre of European film making – it really was the Hollywood of Europe. Actresses occupied an uneasy middle grown between ‘respectable’ women and celebrities and with acting also came many metaphors around playing a role and spying. It seemed a natural fit.

Your period detail was rich and cleverly present throughout Black Roses. Do you have an affinity or special knowledge of Germany or was it a hard slog?
It’s impossible not to be intrigued by the country at the centre of the seismic event of the twentieth century. And if you’re interested in Germany, your eyes naturally turn to Berlin. I’ve walked the streets of Berlin over and over in reality and every day in my head for the past couple of years. It’s strange seeing your own imaginary Berlin like a palimpsest under the modern, rebuilt Berlin, but It helps that I have a working knowledge of German and I visit a couple of times a year.

Winter Garden coverThank you, Jane. I loved Black Roses which Jane talked about at the Harrogate History Festival last October and the sequel, The Winter Garden, is on my TBR pile.

Jane has kindly donated a copy for a giveaway and one lucky winner will win it in a draw. All you have to do is make a (sensible) comment  by 22 March and your name will go in the hat!

 

 

 

 

Goering marriage photo from Bundesarchiv, Creative Commons Licence

 

Updated May 2023: Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA,  Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, is now out.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.

Casualty and being ecumenical

sharingYesterday I had a health scare and spent a significant part of the day in Casualty/ER/Urgences (take your pick), so I don’t have a prepared post. Lying hooked up and waiting for blood test results, the next ECG, whatever, I had time to think. And this morning in the shower, my random thoughts solidified.

No, it’s not the life/death thing or bucket lists. It’s about the strange book world I now live in. For some reason, a writing friend’s question came back to me. A couple of weeks ago, I’d been sorting out some guest posts for this blog and she (a rather keen self-publisher), was surprised at the list. She thought now I had followed the indie route that I would be exclusively ‘of that world’.

‘What do you mean? I asked.
‘Well’ she said, although you’ve had quite a lot of full reads, you’ve had over XX rejections. I thought you wouldn’t want anything to do with any of them.’

Where to start? I have demoted her to acquaintance in my head.

Friends are friends wherever they are and whatever they’re doing.They may do things you wouldn’t, or live with people you wouldn’t. You may be just a teensy-weensy bit envious of their achievements. But the friendship stays. When you first meet somebody and something goes click, the spark of an answering smile in their eyes, you know you’ll be friends. So it is in the book world.

I’m inviting some of my book friends onto my blog mainly because I’m nosy. It’s the historian in me: why, what, how, etc. They’ve done interesting things and have interesting things to say that I think my readers will enjoy. And they come from the entrenched mainstream/traditional to the radical self-publisher and all stops in between.

Ecumenical? Yeah, that’s me.
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.