Must-have writer's aids...

Yes, essential to the writing environment are:

  • a working computer with appropriate software
  • a supportive chair
  • warmth
  • light
  • peace

But the most important adjunct is CHOCOLATE.

So what does chocolate do for the writer?

1. Flavonoids
Chocolate is chock-full(!) of flavonoids—naturally-occurring compounds found in the cacao plant, as well as in red wine, tea, fruits, and vegetables. Flavonoids may have potentially beneficial effects on cardiovascular health. They may also act as antioxidants, which are believed to prevent or delay certain damage to the body’s cells and tissues.

2. Good cholesterol
Chocolate and cocoa butter contain two main saturated fats (palmitic and stearic acids) and one mono-unsaturated fat (oleic acid). Unlike other saturated fats, stearic acid is a neutral fat and does not appear to raise bad cholesterol (LDL). Oleic acid is the same type of fat in olive oil and may actually raise good cholesterol levels (HDL).

3. Vitamins and minerals
Chocolate contains essential trace elements and nutrients such as iron, calcium and potassium, and vitamins A. B1, C, D, and E. Cocoa is also the highest natural source for Magnesium. Magnesium deficiency is linked with hypertension, heart disease, diabetes, joint problems and pre-menstrual tension (PMT or PMS).

4. The feel good factor
Chocolate contains small amounts of a chemical called phenylethylamine (PEA), which is a mild mood elevator. It’s the same chemical that our brain produces when we feel happy or in love. Chocolate stimulates the secretion of endorphins, producing a pleasurable sensation similar to the “runner’s high” a jogger feels after running several miles.The mild rush we get from this substance may be why some people say they’re addicted to chocolate
(No comment from author!).

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.

When is a hero myth manufactured?

At the RNA SE meeting on 24 April, Nicola Cornick gave us valuable insights on constructing heroes. Taking Robin Hood as an example, she showed how universal the hero values attached to him were: anti-authoritarian, good versus evil, romantic, skilled in fighting and weaponry. The mythic Robin Hood was a construct, an icon, created mainly in the 15th and 16 centuries. Quite who or what the real Robin Hood, Robin of Locksley, Robert atte Hoode was is anybody’s guess.

Heroes such as Nelson, while a genuine fighting commander with outstanding achievements, were also celebrities of their times. After Cape St Vincent, Nelson gave a press interview about how well he’d done, and duly wrote his book describing his battles at sea. His philandering and private life didn’t seem to have detracted from his celebrity, but gave it an attractive, dangerous edge.

Celebrity – the attribution of glamorous or noteworthy status (from Celebrity by Prof. Chris Rojek ) – was an old idea: Roman gladiators courted fame and public acclaim. Byron, who glamorised piracy in his poem The Corsair was a prime self-publicist and wildly fashionable author, but in contrast to Nelson, he didn’t have a solid foundation as a British fighting hero.

We tended to pick heroes from the past to suit our needs in the present, but one outstanding requirement was loyalty. From questions, answers and discussion around heroes, other ‘heroic’ characteristics emerged: the attraction of the bad boy/rebel, the anti-hero, the insider up against the system, the flawed hero, the early death of heroes at their most heroic moment.

Plenty to think about when putting fingers to keyboard!

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, PERFIDITASSUCCESSIO and AURELIA. The fifth in the series, INSURRECTIO, was published on 12 April 2016.

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My London Book Fair…

Wrecked for many publishing professionals this year by volcanic ash, the LBF was for me an exciting first.

I followed the distress of others on Twitter as flights from every conceivable part of the world were stopped, particularly those from South Africa, the 2010 Fair’s market focus. But despite myriad appointments with Australians, Finns, Germans, etc. cancelled, there was one benefit I heard from several professionals: they had time to talk in depth with those who managed to get there, to drink a relaxed cup of  coffee, to meet old and new friends.

Barcoded in at Earls Court entrance and clutching my grey and blue guide, I set off through the vast halls to find fellow Tweeter Sam Missingham (@Samatlounge) from The Bookseller and promptly ran into two others: Bridget Coady (@beecee) and Carole Blake of Blake Friedmann (@caroleagent). Sam kindly gave me an exclusive Bookseller Twitter book bag (Many thanks, Sam!) and after a further chat with Carole, I set off for my first seminar – Has British Fiction become Risk Averse?

Chaired by Antonia Byatt, the panel consisted of Isobel Dixon (Blake Friedmann), author Kate Mosse and Alison Samuel, former publishing director at Chatto & Windus (Random House). In respect of literary fiction, it was publishing and retail that had become more risk averse rather than the writers. Both large houses and independent publishers had to act commercially – after all, buying and publishing any book was a gamble! Prizes were essential for promoting literary fiction, which examined ideas and themes rather than concentrating on plot and characters so familiar to commercial fiction.

After a quick sandwich, I was thrilled to listen to Ian Rankin chatting about his life and books. His witty, casual and down to earth manner belied both his great talent and hard work in giving us Rebus, amongst others.

I squeezed in sessions (literally – both were packed out!) on Marketing and the Importance of Promoting your Book by Gareth Howard  of Authoright PR and Practical Advice for Authors given by Rebecca Winfield  of Luxton Harries Literary Agency. These both took place in the author lounge – a welcome retreat for tired feet!

So what did I make of it and was it worth it?
I went there, with my planned schedule, aiming to get a feel of the industry, to increase my knowledge, to talk to people and, of course, to meet up with fellow  Twitterers. All this I did. But I got a lot more. Although it was a trade show, and it was obvious that many meetings were prescheduled business deal-makers,  what struck me was the friendliness and willingness to talk of all those I got chatting to, whether on the stands or at the coffee shops.

As a newbie to this world, I am not yet cynical or blasé, so despite my sore feet I was very satisfied with my day out.

Heigh, ho! Back to the writing…